A work in constant progress (and occasional regress).
Alias:
Bruno Delbonnel, ASC, AFC
Birthplace:
Nancy, Meurthe-et-Moselle, France
Born:
January 1, 1957
Bruno Delbonnel, ASC, AFC, (born 1957) is a French cinematographer. He worked on the films Amélie (2001), A Very Long Engagement (2004), Harry Potter and the Half-Blood Prince (2009), Inside Llewyn Davis (2013) and Darkest Hour (2017), and has appeared in Wes Anderson's The French Dispatch (2021) as Tip-Top. Delbonnel's accolades include a César Award and a European Film Award, as well as six Academy Award nominations and four BAFTA Award nominations. Delbonnel was born in Nancy, Meurthe-et-Moselle, France and graduated in 1978 from the ESEC (Paris, Île-de-France). He has collaborated twice with fellow French director Jean-Pierre Jeunet for Amélie and A Very Long Engagement. He then started collaborating with many other directors, such as Tim Burton, the Coen brothers and Joe Wright. Delbonnel has been nominated for the Academy Award for Best Cinematography five times, for the films Amélie (2001), A Very Long Engagement (2004), Harry Potter and the Half-Blood Prince (2009), Inside Llewyn Davis (2013), and Darkest Hour (2017), and The Tragedy of Macbeth (2021). He was appointed in 2019 at the head of the cinematography department of the Paris film school, La Fémis. His work tends to feature very stylized color palettes, often very warm and featuring yellows and greens as prominent and ubiquitous colors which often tint the whole image. Also often in his work, the film stock used has a very apparent, well-defined grain structure. Source: Article "Bruno Delbonnel" from Wikipedia in English, licensed under CC-BY-SA 3.0.
"A" Camera Operator:
2018 The Ballad of Buster Scruggs
Director of Photography:
1982 The Bunker of the Last Gunshots
1983 No Rest for Billy Brakko
1996 C'est jamais loin
2001 Amélie
2001 The Cat's Meow
2003 Not For, or Against (Quite the Contrary)
2004 A Very Long Engagement
2006 Infamous
2006 Paris Je T'aime
2007 Across the Universe
2009 Harry Potter and the Half-Blood Prince
2011 Faust
2012 Dark Shadows
2013 Inside Llewyn Davis
2014 Big Eyes
2015 Francofonia
2016 Miss Peregrine's Home for Peculiar Children
2017 Darkest Hour
2018 The Ballad of Buster Scruggs
2021 The Tragedy of Macbeth
2021 The Woman in the Window
???? The Phoenician Scheme
Writer:
1982 The Bunker of the Last Gunshots
1983 No Rest for Billy Brakko
1990 Things I Like, Things I Don't Like
1996 C'est jamais loin
2001 Amélie
2001 The Cat's Meow
2003 Not For, or Against (Quite the Contrary)
2004 A Very Long Engagement
2006 Infamous
2006 Paris Je T'aime
2007 Across the Universe
2009 Harry Potter and the Half-Blood Prince
2011 Faust
2012 Dark Shadows
2013 Inside Llewyn Davis
2014 Big Eyes
2015 Francofonia
2016 Miss Peregrine's Home for Peculiar Children
2017 Darkest Hour
2018 The Ballad of Buster Scruggs
2021 The Tragedy of Macbeth
2021 The Woman in the Window
???? The Phoenician Scheme
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.