A work in constant progress (and occasional regress).
Release Date:
October 21, 2021
Original Title:
The French Dispatch
Alternate Titles:
A Crônica Francesa
Fransız Postası
La crónica francesa del Liberty, Kansas Evening Sun
Prantsuse lähetus
The French Dispatch
The French Dispatch of the Liberty, Kansas Evening Sun
ก๊วนข่าวหัวเห็ด
フレンチ・ディスパッチ ザ・リバティ
法蘭西特派週報:堪薩斯州自由城太陽晚报
프렌치 디스패치
Genres:
Comedy | Drama
Production Companies:
American Empirical Pictures
Indian Paintbrush
Searchlight Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 12 CZ: 15+ DE: 12 ES: 12 FR: U|16|TP GB: 15 GR: Κ-12 HK: IIB HU: 12 IE: 15A IL: 12 IT: T JP: G KR: 15 LT: N-13 NZ: M PL: 18 PR: R PT: M/14 RU: 18+ SE: 11 SG: M18 TW: 輔12 UA: 16+ US: R
Runtime: 108
The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Animation Supervisor:
Gwenn Germain
Art Department Coordinator:
Christine Mouchard
Art Direction:
Alice Leconte
Kevin Timon Hill
Loïc Chavanon
Assistant Set Decoration:
Hélène Dubreuil
Camera Trainee:
Courtney Fehsenfeld
Casting:
Douglas Aibel
Antoinette Boulat
Jina Jay
Co-Producer:
Octavia Peissel
Construction Manager:
Ludovic Erbelding
Costume Design:
Milena Canonero
Costume Supervisor:
Patricia Colin
Dialogue Editor:
Susan Dawes
Director:
Wes Anderson
Director of Photography:
Robert D. Yeoman
Editor:
Andrew Weisblum
Executive Producer:
Roman Coppola
Henning Molfenter
Charlie Woebcken
Christoph Fisser
First Assistant Camera:
Vincent Scotet
First Assistant Director:
Ben Howard
Foley Artist:
Steve Baine
Foley Mixer:
Peter Persaud
Graphic Designer:
Annie Atkins
Jannick Guillou
Hair Designer:
Frances Hannon
Hair Supervisor:
Fabienne Robineau
Hairstylist:
Véronique Boslé
Line Producer:
Frédéric Blum
Main Title Designer:
Jeff Kryvicky
Makeup Artist:
Aurélie Bouchet
Odile Fourquin
Frédérique Ney
Emmanuelle Pombet
Maya Benamer
Makeup Designer:
Frances Hannon
Makeup Supervisor:
Fabienne Robineau
Music:
Jean-Yves Thibaudet
Music Coordinator:
Meghan Currier
Music Supervisor:
Randall Poster
Original Music Composer:
Alexandre Desplat
Producer:
Wes Anderson
Jeremy Dawson
Steven M. Rales
Production Coordinator:
Ségolène Amice Lagny
Production Design:
Adam Stockhausen
Production Secretary:
Fanny Floupin
Screenplay:
Wes Anderson
Second Assistant Camera:
Nicolas Voisin
Second Assistant Director:
Charlie Vaughan
Second Unit Director:
Martin Scali
Set Decoration:
Rena DeAngelo
Set Designer:
Carine Demongueres
Christine Vincent-Genod
Olivia Delfour
Set Dresser:
Mathias Canard
Songs:
Jarvis Cocker
Sound:
Jean-Paul Mugel
Sound Re-Recording Mixer:
Chris Scarabosio
Craig Berkey
Wayne Lemmer
Special Effects Supervisor:
Jean-Christophe Magnaud
Steadicam Operator:
Sanjay Sami
Still Photographer:
Roger Do Minh
Story:
Jason Schwartzman
Roman Coppola
Wes Anderson
Hugo Guinness
Stunt Coordinator:
Dominique Fouassier
Supervising Art Director:
Stéphane Cressend
Supervising Sound Editor:
Chris Scarabosio
Wayne Lemmer
Thanks:
Xavier Bonnefont
Françcois Bonneau
Marie Lajus
Third Assistant Director:
Andrea Hachuel
VFX Artist:
Emanuele Farnesi
Alexander Ha
Visual Effects:
Aarif Attarwala
Visual Effects Producer:
Wendy Garfinkle
Visual Effects Production Manager:
Katrina Barton
Visual Effects Supervisor:
Vico Sharabani
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.