A work in constant progress (and occasional regress).
Release Date:
November 9, 2018
Original Title:
The Ballad of Buster Scruggs
Alternate Titles:
All Gold Canyon
Batı Vahşi Hikâyeleri
Meal Ticket
Near Algodones
The Gal Who Got Rattled
The Mortal Remains
バスターのバラード:2018
Genres:
Comedy | Drama | Western
Production Companies:
Mike Zoss Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 16 GB: 15 JP: R18+ KR: 18 PL: 16 SG: M18 US: R
Runtime: 132
Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.
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"A" Camera Operator:
Bruno Delbonnel
"B" Camera Operator:
Paul Elliott
ADR Mixer:
Blake Collins
Additional Second Assistant Director:
Zack Earl Edwards
David Tierney Lerner
Art Direction:
Stephen Christensen
Assistant Art Director:
Zack Gonchor
Assistant Set Decoration:
Sara Philpott
Assistant Sound Editor:
Caleb Townsend
Author:
Jack London
Stewart Edward White
Boom Operator:
Randall L. Johnson
Camera Loader:
Lobsang Tenzin
Casting:
Ellen Chenoweth
Costume Designer:
Mary Zophres
Costume Supervisor:
Lynda Foote
Dialogue Editor:
Brian Bowles
Digital Imaging Technician:
Joshua Gollish
Director:
Joel Coen
Ethan Coen
Director of Photography:
Bruno Delbonnel
Editor:
Joel Coen
Ethan Coen
First Assistant "B" Camera:
Liza Bambenek
Arlen Cooke
First Assistant Camera:
Andy Harris
First Assistant Director:
Betsy Magruder
First Assistant Editor:
Lucian Johnston
Foley Artist:
Goro Koyama
Andy Malcolm
Foley Editor:
Matthew Haasch
Wyatt Sprague
Foley Mixer:
Matthew Kay
Foley Recordist:
Davi Aquino
Chelsea Body
Foley Supervisor:
Igor Nikolic
Hair Department Head:
Cydney Cornell
Hairstylist:
Andreya Joseph
K-Bobby
Key Makeup Artist:
Rolf John Keppler
Corey Welk
Makeup Artist:
Sheila Trujillo
Gretchen Bright
Bonnie Masoner
Makeup Department Head:
Christien Tinsley
Original Music Composer:
Carter Burwell
Post Production Supervisor:
Catherine Farrell
Producer:
Joel Coen
Ethan Coen
Megan Ellison
Sue Naegle
Production Design:
Jess Gonchor
Production Manager:
Karen Ruth Getchell
Screenplay:
Joel Coen
Ethan Coen
Second Assistant "A" Camera:
Artu Arin
Second Assistant Director:
Kevin Lumley
Paul Schmitz
Second Second Assistant Director:
Jeremy Reisig
Zack Smith
Set Costumer:
Mark Avery
Jennifer Gingery
Brittnee Holmquist
Set Decoration:
Nancy Haigh
Set Designer:
Marisa Frantz
Adam Mull
Greg Papalia
Siobhan Roome
Set Dresser:
Lance Cheatham
Jonathan Lheureux
Richard Anthony Montoya
Chris Painter
Alexis Pearlman-Flores
Set Painter:
Rachel Manera
Sound:
Kelly Doran
Sound Mixer:
Peter F. Kurland
Sound Re-Recording Mixer:
Nicholas Cochran
Greg Orloff
Skip Lievsay
Craig Berkey
Special Effects Makeup Artist:
Robin Myriah Hatcher
Special Effects Technician:
Roderic Duff
David Greene
Still Photographer:
Alison Cohen Rosa
Supervising Art Director:
Chris Farmer
Supervising Dialogue Editor:
Michael Feuser
Supervising Sound Editor:
Craig Berkey
Skip Lievsay
Visual Effects Producer:
Julian Dimsey
Rebecca Dunn
Ron Pogue
Visual Effects Supervisor:
John Bair
Leslie Chung
Robin Scott Graham
John Kilshaw
Alex Lemke
Nathan Overstrom
Josh Simmonds
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.