A work in constant progress (and occasional regress).
Release Date:
September 14, 2007
Original Title:
Across the Universe
Alternate Titles:
Across the Universe - Csak a szerelem kell
Across the universe - Csak szerelem kell
All You Need is Love
Genres:
Drama | Fantasy | Romance
Production Companies:
Gross Entertainment
Revolution Studios
Sound Films
Team Todd
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 18+ DE: 12 ES: 7 FR: TP HU: 18 IE: 15A KR: 15세 이상 관람가 PL: 18 PT: M/12 US: PG-13
Runtime: 133
When young dockworker Jude leaves Liverpool to find his estranged father in the United States, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy, who joins the growing anti-war movement. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad.
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"A" Camera Operator:
Craig Haagensen
"B" Camera Operator:
Bruce MacCallum
ADR Editor:
Deborah Wallach
ADR Mixer:
Bobby Johanson
ADR Recordist:
Krissopher Chevannes
Art Department Coordinator:
Kay Michaels
Art Direction:
Peter Rogness
Assistant Accountant:
Susan Strine
Michael Meere
Stephen Lippross
Assistant Art Director:
Adam Stockhausen
Deborah Jensen
Kim Jennings
Mark Pollard
Miguel López-Castillo
Assistant Chief Lighting Technician:
Tom Percarpio
Assistant Costume Designer:
Christopher Peterson
Mary Ann Smith
Susan Kowarsh
Assistant Location Manager:
Damon Michael Gordon
Pat Weber Sones
Patty Carey
Assistant Property Master:
Kris Moran
Eric Cheripka
Ann Edgeworth
Assistant Set Decoration:
Rena DeAngelo
Assistant Sound Editor:
Igor Nikolic
Alex Soto
Associate Producer:
Geoffrey Hansen
Best Boy Grip:
Paul Candrilli
Boom Operator:
Kira Smith
Camera Loader:
Travis Cadalzo
Casting:
Bernard Telsey
Casting Assistant:
Stephanie Yankwitt
Casting Associate:
Tiffany Little Canfield
Charge Scenic Artist:
Elizabeth Linn
Chief Lighting Technician:
John W. DeBlau
Chuck Finch
Conductor:
Jonathan Sheffer
Construction Coordinator:
Nick Miller
Costume Design:
Albert Wolsky
Costume Supervisor:
Gail A. Fitzgibbons
Thomas Beall
Costumer:
Vern Malone
Kenn Hamilton
Kate Quinlan
Nicole Evangelista
Suzanne Kelly
Dialect Coach:
Stephen Gabis
Dialogue Editor:
Eliza Paley
Digital Color Timer:
Yvan Lucas
Digital Intermediate Editor:
Lisa Tutunjian
Director:
Julie Taymor
Director of Photography:
Bruno Delbonnel
Dolly Grip:
Rick Marroquin
Andrew Cheung
Editor:
Françoise Bonnot
Electrician:
Thomas Landi
Peter Colavito
Executive Producer:
Derek Dauchy
First Assistant "A" Camera:
Eric Swanek
First Assistant "B" Camera:
Andrew Priestley
First Assistant Director:
Geoffrey Hansen
Foley Artist:
Marko Costanzo
Foley Mixer:
George A. Lara
Foley Supervisor:
Wyatt Sprague
Graphic Designer:
Leo Holder
Sarah Frank
Grip:
Graham Klatt
Melvin Pukowsky
Brent Poleski
Eric P. Robinson
Christopher F. Graneto
Francis Leach
Hair Department Head:
Nathan J. Busch II
Hairstylist:
Jacqueline Payne
John James
Stephen G. Bishop
Key Costumer:
Jill E. Anderson
Christine Schultz
Key Grip:
Mitch Lillian
Key Hair Stylist:
Jerry DeCarlo
Key Makeup Artist:
Marjorie Durand
Key Rigging Grip:
James Boniece
Leadman:
Timothy Metzger
Location Coordinator:
Marisa Vrooman
Location Manager:
Robert T. Striem
Location Scout:
Gine Lui
Makeup Artist:
Claus Lulla
Louise McCarthy
Angela Johnson
Makeup Department Head:
Judy Chin
Marine Coordinator:
Chris Barnes
Music:
Elliot Goldenthal
Music Editor:
Daryl B. Kell
Christopher Brooks
Music Producer:
Matthias Gohl
Negative Cutter:
Mo Henry
Orchestrator:
Elliot Goldenthal
Robert Elhai
Payroll Accountant:
Felix Chen
Post Production Supervisor:
Jeff Robinson
Producer:
Matthew Gross
Richard Baratta
Jennifer Todd
Production Accountant:
Joan Altman
Production Coordinator:
Angela Quiles
Production Secretary:
Kirstin Liu
Production Sound Mixer:
Tod A. Maitland
Property Master:
Sandy Hamilton
Score Engineer:
Stephen McLaughlin
Scoring Mixer:
Stephen McLaughlin
Screenplay:
Dick Clement
Ian La Frenais
Second Assistant "A" Camera:
Michael Cambria
Second Assistant "B" Camera:
Caesar S. Carnevale
Second Assistant Director:
Danielle Rigby
Second Second Assistant Director:
Kathleen E. Kearney
Daniela Barbosa
Set Buyer:
Carrie Stewart
Set Decorating Coordinator:
Dawn Masi
Set Decoration:
Ellen Christiansen
Set Dresser:
Harvey Goldberg
Roman Greller
Steven T. Duke
Janine Pesce
Joe Taglairino
Paul Weathered
Eric M. Metzger
Jeffrey Rollins
Songs:
John Lennon
Paul McCartney
George Harrison
Ringo Starr
Sound Designer:
Blake Leyh
Sound Re-Recording Mixer:
Lee Dichter
Robert Fernandez
Special Effects Coordinator:
Mark Bero
Special Effects Supervisor:
Steve Kirshoff
Standby Carpenter:
John F. McHugh
Steadicam Operator:
Jeff Muhlstock
Kyle Rudolph
Still Photographer:
Abbot Genser
Storyboard Artist:
Lorenzo Contessa
Stunt Coordinator:
G.A. Aguilar
Stunts:
Bobby Beckles
John Cenatiempo
Blaise Corrigan
Tina Mckissick
Christopher Place
Victor Chan
Jeffrey Lee Gibson
Angela Meryl
Elliot Santiago
Scott Burik
Liisa Cohen
Melissa Morgan
Derrick Simmons
Nicole Callender
Bob Colletti
Caroline Vexler
Kimberly Shannon Murphy
Jill Brown
Supervising Music Editor:
Curtis Roush
Supervising Sound Editor:
Blake Leyh
Transportation Captain:
James P. Whalen Jr.
Transportation Co-Captain:
Timothy Shannon
Unit Production Manager:
Richard Baratta
Pamela Thur
Unit Publicist:
Frances Fiore
Utility Sound:
Timothy R. Boyce Jr.
VFX Artist:
David R. Morton
Video Assist Operator:
Kevin McKenna
Visual Effects Coordinator:
Melinka Thompson-Godoy
Visual Effects Producer:
Friend Michael Wells
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.