Pierre Befve

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Cinematography:
1993  Emilie Muller
1999  The Dark Side

Director of Photography:
1993  Emilie Muller
1999  The Dark Side
2002  Dead or Alive
2002  Naturally
2003  Par amour
2005  Be Quiet
2009  Vivre!

Sound:
1975  Dehors-dedans
1975  Villa Les Dunes ou Le hard et le soft
1980  Bobo la tête
1980  Les Charlots contre Dracula
1986  Betty Blue
1986  I Hate Actors
1990  La Femme Nikita
1990  The Voyage of Captain Fracassa
1993  Emilie Muller
1993  One, Two, Three, Freeze
1994  Dead Tired
1995  The New World
1996  Les Victimes
1996  The Best Job in the World
1999  The Dark Side
2002  Dead or Alive
2002  Naturally
2003  Par amour
2005  Be Quiet
2009  Vivre!

Sound Designer:
1975  Dehors-dedans
1975  Villa Les Dunes ou Le hard et le soft
1976  The Garden of Torment
1980  Bobo la tête
1980  Les Charlots contre Dracula
1986  Betty Blue
1986  I Hate Actors
1988  The Big Blue
1990  La Femme Nikita
1990  The Voyage of Captain Fracassa
1993  Emilie Muller
1993  One, Two, Three, Freeze
1994  Dead Tired
1995  The New World
1996  Les Victimes
1996  The Best Job in the World
1999  The Dark Side
2002  Dead or Alive
2002  Naturally
2003  Par amour
2005  Be Quiet
2009  Vivre!

Sound Recordist:
1975  Dehors-dedans
1975  Villa Les Dunes ou Le hard et le soft
1976  The Garden of Torment
1980  Bobo la tête
1980  Les Charlots contre Dracula
1983  Sugar Cane Alley
1986  Betty Blue
1986  I Hate Actors
1988  The Big Blue
1990  La Femme Nikita
1990  The Voyage of Captain Fracassa
1993  Emilie Muller
1993  One, Two, Three, Freeze
1994  Dead Tired
1995  The New World
1996  Les Victimes
1996  The Best Job in the World
1999  The Dark Side
2002  Dead or Alive
2002  Naturally
2003  Par amour
2005  Be Quiet
2009  Vivre!

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.