A work in constant progress (and occasional regress).
Release Date:
May 18, 1994
Original Title:
Grosse fatigue
Genres:
Comedy
Production Companies:
Gaumont
TF1 Films Production
Production Countries:
France
Ratings / Certifications:
CH: 12 FR: U
Runtime: 82
Stressed and overworked, famous French movie star Michel Blanc is beginning to wear down, physically and mentally, from the pressure and demands of fame. Already in a fragile state of mind, strange events start to transpire all around him, and he gradually loses his grip. Taking the advice of a psychiatrist, Blanc retreats to the countryside with his friend Carole Bouquet, but Blanc still has not managed to escape all of his problems.
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Additional Grip:
Maurice Baltel
Boom Operator:
Xavier Griette
Jacques Ballay
Camera Operator:
Pascal Ridao
Casting:
Françoise Menidrey
Costume Design:
Elisabeth Tavernier
Costume Supervisor:
Véronique Périer
Costumer:
Semira Ben Abdallah
Dialogue:
Michel Blanc
Director:
Michel Blanc
Director of Photography:
Eduardo Serra
Editor:
Maryline Monthieux
Electrician:
Marc Nové
Jean Atanassian
Extras Casting:
Célina Blanc
First Assistant Camera:
Nicolas Herdt
First Assistant Director:
Christophe Vassort
Gaffer:
Claude Atanassian
Grip:
Michel Anquetil
Michel Strasser
Idea:
Bertrand Blier
Key Grip:
Yvon Sausseau
Key Hair Stylist:
Thierry Marino
Key Makeup Artist:
Jacques Clemente
Original Music Composer:
René-Marc Bini
Production Design:
Carlos Conti
Production Manager:
Jérôme Chalou
Production Secretary:
Nicole Roland
Publicist:
Dominique Segall
Screenplay:
Michel Blanc
Script Supervisor:
Patrick Aubrée
Second Assistant Camera:
Jean-Christophe Gannagé
Second Assistant Director:
Thierry Mauvoisin
Sound:
Dominique Hennequin
Pierre Befve
Steadicam Operator:
Patrick De Ranter
Still Photographer:
Jérôme Prébois
Supervising Sound Editor:
Jean Gargonne
Unit Manager:
Christine de Jekel
Writer:
Jacques Audiard
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.