A work in constant progress (and occasional regress).
Release Date:
May 10, 1988
Original Title:
Le Grand Bleu
Alternate Titles:
Aperanto galazio
Böyük Mavi
Den stora blåa
Det stora blå
Det store blå
Dərinlik Sərxoşluğu
Imensidão Azul
Le grand bleu, version longue
The Big Blue
Veliko plavetnilo
Žydroji bedugnė
大蓝
碧海情
그랑 블루
Genres:
Adventure | Drama | Romance
Production Companies:
Gaumont
Production Countries:
France
Ratings / Certifications:
AU: PG BR: 16|12 CH: 12 DE: 12 DK: 11 FI: K-16 FR: TP GB: 15 HU: 12 KR: 12|15 NL: 6 PT: M/12 SE: 11 US: PG-13
Runtime: 168
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
Casting:
Nathalie Chéron
Lissa Pillu
Celestia Fox
Pat Orseth
Co-Producer:
Luc Besson
Costume Design:
Mimi Lempicka
Magali Guidasci
Director:
Luc Besson
Director of Photography:
Carlo Varini
Editor:
Olivier Mauffroy
Foley Editor:
Alain Lévy
Makeup Artist:
Geneviève Peyralade
Original Music Composer:
Éric Serra
Producer:
Patrice Ledoux
Production Design:
Dan Weil
Screenplay:
Marilyn Goldin
Marc Perrier
Jacques Mayol
Luc Besson
Robert Garland
Set Decoration:
Patrick Barthelemy
Sound:
Jacques Lévy
Jérôme Lévy
Sound Designer:
Pierre Befve
Sound Mixer:
François Groult
Sound Re-Recording Mixer:
Gérard Lamps
Story:
Luc Besson
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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