A work in constant progress (and occasional regress).
Alias:
陳炳林
Chan Bing-Lam
Additional Photography:
1989 Yosemite: The Fate of Heaven
1994 Black Is… Black Ain’t
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
Assistant Camera:
1981 The Day After Trinity
1989 Yosemite: The Fate of Heaven
1994 Black Is… Black Ain’t
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
Camera Operator:
1981 The Day After Trinity
1989 Yosemite: The Fate of Heaven
1994 Black Is… Black Ain’t
2002 Jimmy Carter
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
2022 Free Chol Soo Lee
Cinematography:
1981 The Day After Trinity
1989 Yosemite: The Fate of Heaven
1994 Black Is… Black Ain’t
1994 Freedom on My Mind
1997 Cadillac Desert: Water and the Transformation of Nature
2002 Jimmy Carter
2002 Zoot Suit Riots
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
2015 Makers: Once and For All
2021 Simple As Water
2022 Free Chol Soo Lee
???? CLINT
Director:
1981 The Day After Trinity
1989 Yosemite: The Fate of Heaven
1994 Black Is… Black Ain’t
1994 Freedom on My Mind
1997 Cadillac Desert: Water and the Transformation of Nature
2002 Jimmy Carter
2002 Zoot Suit Riots
2003 Peter and Paul and the Christian Revolution
2003 The Transcontinental Railroad
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
2015 Makers: Once and For All
2021 Simple As Water
2022 Free Chol Soo Lee
???? CLINT
Director of Photography:
1981 The Day After Trinity
1982 Chan Is Missing
1983 The Great Spirit Within the Hole
1985 Dim Sum: A Little Bit of Heart
1986 Just Like Weather
1988 Haitian Corner
1989 Forbidden City, U.S.A.
1989 Yosemite: The Fate of Heaven
1993 The Great Depression: A Job at Ford's
1994 Black Is… Black Ain’t
1994 Freedom on My Mind
1994 Malcolm X: Make It Plain
1995 A Litany for Survival: The Life and Work of Audre Lorde
1995 Skin Deep
1996 The Battle Over Citizen Kane
1997 Cadillac Desert: Water and the Transformation of Nature
1998 Xiu Xiu: The Sent-Down Girl
1999 Sing Faster: The Stagehands' Ring Cycle
1999 Yesterday's Tomorrows
2002 Jimmy Carter
2002 Zoot Suit Riots
2003 Peter and Paul and the Christian Revolution
2003 The Transcontinental Railroad
2004 Citizen King
2004 Final Cut: The Making and Unmaking of Heaven's Gate
2004 Japan: Memoirs of a Secret Empire
2004 Last Letters Home
2005 The Massie Affair
2006 Jesse James
2008 Gonzo: The Life and Work of Dr. Hunter S. Thompson
2008 Kit Carson
2008 Patsy Mink: Ahead of the Majority
2009 Egalite for All: Toussaint Louverture and the Haitian Revolution
2013 Raça
2015 Makers: Once and For All
2015 Mary Lou Williams: The Lady Who Swings the Band
2021 Simple As Water
2022 Free Chol Soo Lee
???? CLINT
Additional Director of Photography:
1985 Explorer
Director of Photography:
1985 Explorer
1987 Eyes on the Prize
1991 The Dream Machine
1993 The Great Depression
1995 America's War on Poverty
2003 Chicago: City of the Century
2004 Japan: Memoirs of a Secret Empire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.