The Great Depression: A Job at Ford's (1993) [NR]

Release Date:
January 1, 1993

Original Title:
The Great Depression: A Job at Ford's

Genres:
Documentary

Production Companies:
Blackside
Corporation for Public Broadcasting

Production Countries:
United States of America

Ratings / Certifications:
US: NR 

Runtime: 52

Just before the advent of the Great Depression, Henry Ford controlled the most important company in the most important industry in the booming American economy. His offer of high wages in exchange for hard work attracted workers to Detroit, but it began to come apart when Ford hired a private police force to speed up production and spy on employees. After the depression hit in 1929, these workers faced a new, grim reality as unemployment skyrocketed.

Additional information:

The Search Form


Additional Camera:
Robert Shepard
Joe Vitagliano

Assistant Camera:
Otis W. Bess Jr.
Kim Chidester
Fred Neilsen

Associate Producer:
Leslie D. Farrell

Camera Operator:
Christopher Hall
Brett Wiley

Director:
Jon Else

Director of Photography:
Michael Chin

Editor:
Lillian Benson

Executive Producer:
Henry Hampton

Music:
Brian Keane

Producer:
Jon Else
Terry Kay Rockefeller

Production Manager:
Michael Dick

Sound Editor:
Ray Palagy

Sound Effects Designer:
Joe Boekelheide

Sound Recordist:
Felipe Borrero
Sara Chin
Charles Dixon
John Haptas

Supervising Producer:
Alison Bassett
Stephen Stept

Writer:
Jon Else
Steve Fayer

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.