A work in constant progress (and occasional regress).
Release Date:
July 18, 2008
Original Title:
Gonzo: The Life and Work of Dr. Hunter S. Thompson
Alternate Titles:
Gonzo
Genres:
Documentary
Production Companies:
BBC Storyville
Diverse Productions
HDNet Films
Jigsaw Productions
Phantom Films
Production Countries:
United States of America
Ratings / Certifications:
IE: 18 JP: PG12 NL: 12 US: R
Runtime: 120
Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Joe Cairo
Associate Producer:
Salimah El-Amin
Audio Post Coordinator:
Travis Call
Co-Executive Producer:
Roy Ackerman
Nick Fraser
Director:
Alex Gibney
Director of Photography:
Maryse Alberti
Editor:
Alison Ellwood
Executive Producer:
Mark Cuban
Todd Wagner
Head of Production:
Gretchen McGowan
Leadman:
Michael Ahern
Music:
David Schwartz
Post Production Supervisor:
Kelley Cribben
Producer:
Graydon Carter
Alison Ellwood
Alex Gibney
Jason Kliot
Eva Orner
Joana Vicente
Stephen Vittoria
Production Design:
Amanda Ford
Production Executive:
Alexandra Johnes
Production Manager:
Jenna Capozzi
Screenplay:
Alex Gibney
Set Dresser:
Gina Freedman
Sound:
Gautam Choudhury
Bradley Dunn
David Hocs
Michael Isabell
Mike Karas
Kevin Padden
Tami Stepanek
Sound Designer:
Margaret Crimmins
Greg Smith
Sound Mixer:
Felix Andrew
Benjamin Lowry
David Terry
Sound Re-Recording Mixer:
Tony Volante
Sound Recordist:
Kieron Wolfson
Storyboard Artist:
Nick Gibney
Writer:
Hunter S. Thompson
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.