Home

Yesterday's Tomorrows (1999) [N/A]

Release Date:
August 9, 1999

Original Title:
Yesterday's Tomorrows

Alternate Titles:
Barry Levinson on the Future in the 20th Century: Yesterday's Tomorrows
In the 20th Century: Barry Levinson on the Future
The Future in the 20th Century: Yesterday's Tomorrows
Yesterday's Tomorrows: The Future in the 20th Century

Genres:
Documentary | History

Production Companies:
5759 Productions
Buena Vista Television

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 99

Overview from TheMovieDB

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Associate Producer:
Kenn Rabin

Director:
Barry Levinson

Director of Photography:
Michael Chin

Editor:
Robert Edwards

Executive Producer:
Barry Levinson
Sandra Itkoff
Tom Fontana

Producer:
Richard Berge
Lesli Klainberg

Writer:
Richard Berge
Kenn Rabin

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.