Andy Park

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Alias:
앤디 박
앤디박

Andy Park is the Director of Visual Development at Marvel Studios.  Park has been a prolific artist in the entertainment industry for well over two decades. In the first part of his career, he made a name for himself as a comic book artist, illustrating the top-selling comic book titles Tomb Raider, Excalibur, Weapon X, and Uncanny X-Men, working for companies like Marvel, Image, Dark Horse, and DC Comics.  In the past half of his career, Andy has expanded his artistic repertoire as an art director and concept artist/visual development artist working in the video game, television, and film industries. He was one of the leading concept artists at Sony Computer Entertainment of America on the award-winning God of War video game franchise (God of War 2, God of War 3, God of War: Chains of Olympus, and God of War: Ascension). In 2010, Andy joined Marvel Studios' newly created Visual Development Department to help create the look and feel of the stories and characters of the Marvel Cinematic Universe. He has worked on every single Marvel Studios film since 2010: Captain America: The First Avenger, Thor, The Avengers, Iron Man 3, Thor: The Dark World, Captain America: Winter Soldier, Guardians of the Galaxy, Avengers: The Age of Ultron, Ant-Man, Captain America: Civil War, Dr. Strange, Black Panther, Avengers: Infinity War, Captain Marvel, and Avengers: Endgame. In 2015, Andy became the Director of Visual Development, leading the department and team of artists on several movies and projects, including Guardians of the Galaxy Vol. 2, Thor: Ragnarok, Ant-Man and the Wasp, Captain Marvel, Black Widow, WandaVision, Shang-Chi and the Legend of the Ten Rings, and Thor: Love and Thunder. 

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.