Home

Paul Dano (b. 1984)

Alias:
Paul Franklin Dano
ポール・ダノ
保罗·达诺
保羅・迪諾
폴 다노

Birthplace:
New York City, New York, USA

Born:
June 19, 1984

Biography from TheMovieDB

Paul Franklin Dano (born June 19, 1984) is an American actor. He began his career on Broadway before making his film debut in The Newcomers (2000). He won the Independent Spirit Award for Best Debut Performance for his role in L.I.E. (2001) and received accolades for his role as Dwayne Hoover in Little Miss Sunshine (2006). For his dual roles as Paul and Eli Sunday in Paul Thomas Anderson's There Will Be Blood (2007), he was nominated for the BAFTA Award for Best Supporting Actor.  Dano has also received accolades for roles such as John Tibeats in Steve McQueen's 12 Years a Slave (2013) and Alex Jones in Denis Villeneuve's Prisoners (2013). His acting portrayal of musician Brian Wilson in Love & Mercy (2014) earned him a Golden Globe nomination in the category of Best Supporting Actor. Dano made his directorial debut with the drama film Wildlife (2018), based on the novel by Richard Ford. He co-wrote the screenplay with his partner Zoe Kazan. In 2018, he starred in the Showtime miniseries Escape at Dannemora, for which he received a Primetime Emmy Award nomination for Outstanding Supporting Actor in a Limited Series or Movie. In 2022, he played Edward Nashton / The Riddler in The Batman.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Director:
2018  Wildlife

Executive Producer:
2008  Gigantic
2012  For Ellen
2012  Ruby Sparks
2018  Wildlife

Producer:
2008  Gigantic
2012  For Ellen
2012  Ruby Sparks
2018  Wildlife

Screenplay:
2008  Gigantic
2012  For Ellen
2012  Ruby Sparks
2018  Wildlife

Click the heading above to show or hide the list.

TV Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.