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There Will Be Blood (2007) [R]

Release Date:
December 26, 2007

Original Title:
There Will Be Blood

Alternate Titles:
Aż poleje się krew
Il petroliere
Il y aura du sang
Oil!
Petróleo sangriento
Pozos de ambición
Qan Töküləcək
Sangue Negro
Veri hakkab voolama
Нефть
ゼア・ウィル・ビー・ブラッド
血色将至
黑金风云
데어 윌 비 블러드

Genres:
Drama

Production Companies:
Ghoulardi Film Company
JoAnne Sellar Productions
Miramax
Paramount Vantage

Production Countries:
United States of America

Ratings / Certifications:
AR: +13  AU: M  BR: 14  CA: 14A  CH: 14  CZ: 15  DE: 12  DK: 15  ES: 16  FI: K-18  FR: TP  GB: 15  HK: IIA  HU: 16  IE: 15A  IL: 16  IN: A  IT: T  JP: PG12  KR: 15  MX: B-15  NL: 16  NO: 15  PH: R-13  PL: 12  PT: M/12  RU: 16+  SE: 15  SG: PG  TW: 12+  US: R 

Runtime: 158

There will be greed. There will be vengeance.

Overview from TheMovieDB

Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.

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British Film Institute (BFI)
2012
#75		 Directors' Top 100 Poll
Greatest Films of All Time

Performers

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Production

ADR Mixer:
Thomas J. O'Connell

ADR Recordist:
Rick Canelli

Additional Soundtrack:
Arvo Pärt

Art Direction:
David Crank

Assistant Costume Designer:
Kimberly Adams

Assistant Director:
Eric Richard Lasko
Adam Somner

Boom Operator:
David M. Roberts

CG Supervisor:
Adam Watkins

Casting:
Cassandra Kulukundis

Color Timer:
Kenny Becker

Costume Design:
Mark Bridges

Costume Supervisor:
Eden Clark Coblenz

Costumer:
Michelle Elaine Teague
Yvonne Wilburn

Dialogue Editor:
Hugo Weng
Vanessa Lapato

Director:
Paul Thomas Anderson

Director of Photography:
Robert Elswit

Editor:
Dylan Tichenor

Executive Producer:
Eric Schlosser
Scott Rudin

First Assistant Sound Editor:
Coya Elliott

Foley Artist:
Robin Harlan
Sarah Monat

Foley Editor:
David Horton Jr.
Bruce Tanis

Foley Mixer:
Randy Singer

Hair Department Head:
Linda D. Flowers

Hairstylist:
Sharon Ray Ely

Intern:
Joel Corry

Key Costumer:
Kathy Kiatta

Key Hair Stylist:
Yeşim "Shimmy" Osman

Lighting Technician:
Robby Baumgartner

Makeup Artist:
Catherine Conrad
Kim Ayers

Makeup Department Head:
John Blake

Music Editor:
Paul Rabjohns

Music Supervisor:
Linda Cohen

Novel:
Upton Sinclair

Original Music Composer:
Jonny Greenwood

Post Production Supervisor:
Erica Frauman
Jamey Pryde

Producer:
JoAnne Sellar
Paul Thomas Anderson
Daniel Lupi

Production Design:
Jack Fisk

Production Supervisor:
Will Weiske

Rigging Gaffer:
Mark Manthey

Screenplay:
Paul Thomas Anderson

Script Supervisor:
Anna Rane

Second Assistant Director:
Ian Stone
Richard Oswald

Set Decoration:
Jim Erickson

Set Designer:
Carl J. Stensel

Set Dresser:
Mark Hanks
Jack Colmenero
Brad Blei

Sound Assistant:
Andrew Bock

Sound Designer:
Chris Scarabosio

Sound Effects Editor:
Tim Nielsen
Jeff Sawyer
J.R. Grubbs

Sound Mixer:
John Pritchett

Sound Re-Recording Mixer:
Michael Semanick
Tom Johnson

Special Effects Coordinator:
Steve Cremin

Special Effects Technician:
Christian Eubank
Brandon K. McLaughlin
Jay King
Douglas D. Ziegler

Still Photographer:
François Duhamel
Melinda Sue Gordon

Stunt Coordinator:
Jeff Habberstad
Myke Schwartz

Stunts:
Brian Avery
Keii Johnston
Denney Pierce
Shawn Patrick Lane
Frank Lloyd
Ryan Happy
Paul Sklar
Jake Lombard
Larry M. Shorts
Scott Sproule
Mark Muñoz

Supervising Sound Editor:
Matthew Wood

Thanks:
Jose Ludlow
Mark Graziano

Title Designer:
Dan Perri

Visual Effects Producer:
Susan Greenhow
Christina Graff

Visual Effects Supervisor:
Grady Cofer
Paul Graff

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.