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Wildlife (2018) [PG-13]

Release Date:
September 23, 2018

Original Title:
Wildlife

Alternate Titles:
Cuộc Tình Hoang Dại
Lo que arde con el fuego
Vida Selvagem
Wildlife: une saison ardente
와일드 라이프

Genres:
Drama

Production Companies:
June Pictures
Nine Stories Productions
Sight Unseen Pictures

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  AU: M  BR: 14  CH: 16  DE: 12  FR: U  GB: 12A  HU: 18  IE: 12A  IL: הותר לכל  JP: PG12  KR: 15  NL: 9  PL: 12  RU: 16+  SE: 11  US: PG-13 

Runtime: 105

Overview from TheMovieDB

14-year-old Joe is the only child of Jeanette and Jerry — a housewife and a golf pro — in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job (and his sense of purpose) he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves.

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Performers

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Production

ADR Coordinator:
Tricia Schultz

ADR Editor:
Daniel Timmons

ADR Mixer:
Hunter Berk
Bill Higley
Bobby Johanson

ADR Recordist:
Michael Rivera

ADR Voice Casting:
Dann Fink
Bruce Winant

Art Department Coordinator:
Jackie Goncalves

Art Direction:
Miles Michael

Assistant Editor:
Michael LaFond
Lucian Johnston
Taylor Levy
Morgan Wajda-Levie

Assistant Production Coordinator:
Jill Sacco

Assistant Sound Editor:
Jonathan Fuhrer

Associate Producer:
Dani Johnson
Jeffrey Penman

Best Boy Electric:
Gregg Marion

Best Boy Grip:
Josh Ermon

Book:
Richard Ford

Boom Operator:
Richard Bullock Jr.

Camera Operator:
Adrian Durazo

Casting:
Laura Rosenthal
Jodi Angstreich

Costume Design:
Amanda Ford

Costume Supervisor:
Jocelyn Pierce

Dialogue Editor:
Daniel Timmons

Digital Imaging Technician:
Leonard A. Mazzone

Director:
Paul Dano

Director of Photography:
Diego García

Dolly Grip:
Jake Czepiel

Editor:
Matthew Hannam
Louise Ford

Electrician:
Matt Bauske
Liz Drew

Executive Producer:
Zoe Kazan
Eddie Vaisman
B. Ted Deiker

First Assistant Camera:
Sara Ingram

First Assistant Director:
Duccio Fabbri

Foley Artist:
Joanna Fang
Leslie Bloome

Foley Mixer:
Ryan Collison

Foley Recordist:
Nick Seaman

Gaffer:
Michael Roy

Graphic Designer:
Sean P. Egan

Grip:
Russell Macway
Kyle Martindale
Jesse Goodman
Brooke Shackleford
Micah Hart

Hair Department Head:
Cheryl Daniels

Hairstylist:
Alexandra Ford

Key Costumer:
Sarah Dano

Key Grip:
Justin Crawford

Leadman:
Shann Whynot-Young

Location Manager:
Mark Jarrett

Makeup Artist:
Toni Marlo

Makeup Department Head:
Sarah Rubano

Music Editor:
Suzana Peric

Music Supervisor:
Susan Jacobs

Original Music Composer:
David Lang

Payroll Accountant:
Castille Landon

Post Production Supervisor:
Jeffrey Penman

Producer:
Jake Gyllenhaal
Oren Moverman
Riva Marker
Ann Ruark
Alex Saks
Paul Dano
Andrew Duncan

Production Accountant:
Dori A. Rath

Production Assistant:
Sha'ree Green
Lilah Akin

Production Design:
Akin McKenzie

Production Office Coordinator:
Feifei Ling

Production Secretary:
Tevya Desiderio

Production Sound Mixer:
Pud Cusack

Production Supervisor:
Zak Kristofek

Property Master:
A. Patrick Storey

Screenplay:
Paul Dano
Zoe Kazan

Script Supervisor:
Scott Peterson
Shannon Kenny

Second Assistant Camera:
Jeff Marks

Second Assistant Director:
Cassandra Santiago

Second Second Assistant Director:
Kim Dang
Harrison Jaffee

Set Decoration:
Melisa Jusufi

Set Dresser:
Lance Gill
Dylan Brodie
Peter Burton

Sound Designer:
Jacob Ribicoff

Sound Re-Recording Mixer:
Ihor Kaniuk
Tony Volante

Special Effects Assistant:
Ryan Roundy
Blaine Decker

Special Effects Coordinator:
Matthew Hall

Still Photographer:
Scott Garfield

Stunt Coordinator:
Tom Struthers

Stunts:
Sean Morrissey
Justin T. Woods

Supervising Sound Editor:
Tony Volante

Title Designer:
Patrick DeVine

Transportation Captain:
Dan Dolan

Visual Effects Producer:
David Danesi
Sonia Marques

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.