A work in constant progress (and occasional regress).
Release Date:
March 19, 2004
Original Title:
Taking Lives
Alternate Titles:
Klemménes Zoés
Kradets na zhivoti
Taking lives - destins violés
Uzimanje života
Zabiraya zhizni
Zabyrayuchy zhyttya
尸人交易
Genres:
Thriller
Production Companies:
Atmosphere Entertainment MM
Village Roadshow Pictures
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ CH: 16 CZ: 12+ DE: 16 DK: 15 FI: K-16 FR: 16 GB: 15 HU: 16 IE: 18 MX: C NL: 16 NO: 15 SE: 15 US: R
Runtime: 103
Recruited to assist Montreal police in their desperate search for a serial killer who assumes the identities of his victims, FBI profiler Illeana Scott knows it's only a matter of time before the killer strikes again. Her most promising lead is a museum employee who might be the killer's only eyewitness.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Chris Navarro
Additional Editing:
Jim Page
Additional First Assistant Camera:
Frédéric Chamberland
Art Department Coordinator:
Martine Mongrain
Art Direction:
Serge Bureau
Assistant Accountant:
Eva MacGregor
Assistant Camera:
Carla Clarke
Assistant Director:
Albert Cho
Stéphane Byl
Assistant Editor:
Julian Andraus
Assistant Location Manager:
Liam Kiernan
Stephanie Beaudin
Assistant Production Coordinator:
Tom Carson
Assistant Unit Manager:
Pierre Guay
Associate Producer:
Josette Perrotta
Best Boy Grip:
David Dinel
Camera Loader:
David Reinhard
Casting:
Deborah Aquila
Tricia Wood
Casting Assistant:
Gabriel Lavina
Casting Associate:
Jennifer L. Smith
Chief Lighting Technician:
Jean Courteau
Co-Producer:
Alan C. Blomquist
Anna DeRoy
Color Timer:
Dale E. Grahn
Colorist:
Keith Shaw
Conductor:
Michael Riesman
Construction Coordinator:
Michel Brochu
Continuity:
Marie La Haye
Costume Assistant:
Emmanuelle Godbout
Costume Design:
Marie-Sylvie Deveau
Craft Service:
Jeff Winn
Dialect Coach:
Kelly Reiter
Digital Compositor:
Tom Lamb
Digital Compositors:
Robert Grieve
Digital Intermediate Producer:
Julia Nessling-Douglas
Director:
D. J. Caruso
Director of Photography:
Amir Mokri
Dolly Grip:
Greg Brooks
Dresser:
Jean-François Desjardins
Driver:
Michel Boulanger
Editor:
Anne V. Coates
Electrician:
Chris Pavlu
Executive In Charge Of Post Production:
Daniel R. Chavez
Executive Producer:
David Heyman
Bruce Berman
Dana Goldberg
Extras Casting:
Julie Breton
First Assistant Camera:
John Grillo
First Assistant Director:
David Webb
First Assistant Sound Editor:
Joseph Schultz
Meg Taylor
Foley Artist:
Goro Koyama
Foley Mixer:
Ron Mellegers
Gaffer:
Eames Gagnon
Generator Operator:
Stephane Boisvert
Grip:
Robert B. Baylis
Hairdresser:
Suzanne Benoit
Hairstylist:
Martin Lapointe
Key Hair Stylist:
Jennifer Bower O'Halloran
Key Rigging Grip:
Martin St-Antoine
Lighting Technician:
Dana Arnold
Loader:
Amelie Duceppe
Location Manager:
Lynn Beaudin
Makeup Artist:
Annik Boivin
Makeup Department Head:
Donald Mowat
Makeup Effects:
Barney Burman
Matte Painter:
Deak Ferrand
Music Editor:
Joe Lisanti
Negative Cutter:
Mo Henry
Novel:
Michael Pye
Original Music Composer:
Philip Glass
Painter:
Tim Stadler
Payroll Accountant:
Lise Servant
Pilot:
Jim Filippone
Police Consultant:
François Doré
Post Production Supervisor:
Susan E. Novick
Producer:
Mark Canton
Bernie Goldmann
Production Assistant:
Elisabeth Cormier
Production Coordinator:
Marie-Elaine Bailly
Production Design:
Tom Southwell
Production Secretary:
Jenny Siff
Production Sound Mixer:
Claude La Haye
Property Master:
Peter Bankins
Prosthetic Supervisor:
Bruno Gatien
Rigging Gaffer:
Gilles Fortier
Screenplay:
Jon Bokenkamp
Second Assistant Camera:
Eric Aubin
Second Assistant Director:
Anne Alloucherie
Second Second Assistant Director:
Angèle Gagnon
Second Unit Director:
Mic Rodgers
Set Decoration:
Suzanne Cloutier
Amanda Moss Serino
Anne Galéa
Set Designer:
Pierre L'Heureux
Set Dressing Artist:
Michael Buha
Set Medic:
Mélanie Bergeron
Set Production Assistant:
Brinton Bryan
Sound Designer:
Craig Henighan
Sound Editor:
Joel Shryack
Sound Recordist:
Mark Johnston
Special Effects Assistant:
Marc Auclair
Special Effects Coordinator:
Gary D'Amico
Special Effects Supervisor:
Louis Craig
Special Effects Technician:
Pierre Côté
Special Props:
Dimitri Kaliviotis
Stand In:
Martin Brisebois
Standby Painter:
Jean-François Kelahear
Steadicam Operator:
Tim Merkel
Still Photographer:
Dale Robinette
Storyboard Artist:
Jerry Bingham
Stunt Coordinator:
Guy Bews
Manny Perry
Stunt Double:
Corry Glass
Richard Bucher
Stunt Driver:
Mike Chute
Stunts:
Marcello Bezina
Debbie Evans
Alison Reid
Kenny Alexander
Jean Frenette
Patrick Kerton
Alain Bérard
Mike Chute
Eric Bryson
Tom Glass
Gilbert Larose Jr.
Michael Runyard
David McKeown
Hélèna Laliberté
John Ross
Marc Désourdy
Michael Scherer
Vanessa White
Brent Woolsey
Jamie Jones
Stéphane Byl
Shawn Patrick Lane
François Gauthier
Paul Rutledge
Danny Wynands
Annie Carignan
Karine Lemieux
Jere Gillis
Richard Bucher
Stéphane Lefebvre
Erik Stabenau
Supervising Sound Editor:
Robert Grieve
Third Assistant Director:
Fabrice Barrilliet
Title Designer:
Garson Yu
Transportation Captain:
James Sanchez
Transportation Coordinator:
Joe Sanchez
Unit Manager:
Gilles Perreault
Unit Production Manager:
Alan C. Blomquist
Unit Publicist:
Cara Leibovitz
Utility Stunts:
Shawn Patrick Lane
Video Assist Operator:
Julie Garceau
Visual Effects:
Patrick Phillips
Visual Effects Coordinator:
James D. Tittle
Visual Effects Producer:
Rebecca Ramsey
Visual Effects Supervisor:
Rebecca Ramsey
David Sosalla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.