Dan Mindel (b. 1958)

Alias:
Daniel Mindel

Birthplace:
Johannesburg, South Africa

Born:
May 27, 1958

Ivor Daniel Mindel, ASC, BSC, SASC (born 27 May 1958) is a South African-American cinematographer best known for his work on blockbuster action films like Enemy of the State, Mission: Impossible III, Star Trek, Star Trek Into Darkness, Star Wars: The Force Awakens, and Star Wars: The Rise of Skywalker, working with directors like Tony Scott and J. J. Abrams.

Additional information:

The Search Form


Additional Photography:
1995  Crimson Tide
2002  The Bourne Identity

Assistant Camera:
1983  The Hunger
1995  Crimson Tide
2002  The Bourne Identity

Director of Photography:
1983  The Hunger
1995  Crimson Tide
1998  Enemy of the State
2000  Shanghai Noon
2001  Spy Game
2002  Sand
2002  The Bourne Identity
2003  Stuck on You
2004  Tooth Fairy
2005  Domino
2005  The Skeleton Key
2006  Mission: Impossible III
2007  Cutlass
2009  Star Trek
2012  John Carter
2012  Savages
2013  Star Trek Into Darkness
2014  The Amazing Spider-Man 2
2015  Star Wars: The Force Awakens
2016  Zoolander 2
2018  Pacific Rim: Uprising
2018  The Cloverfield Paradox
2019  Star Wars: The Rise of Skywalker
2024  Twisters

Second Unit Director of Photography:
1983  The Hunger
1995  Crimson Tide
1997  G.I. Jane
1998  Enemy of the State
2000  Shanghai Noon
2001  Spy Game
2002  Sand
2002  The Bourne Identity
2003  Stuck on You
2004  Tooth Fairy
2005  Domino
2005  The Skeleton Key
2006  Mission: Impossible III
2007  Cutlass
2009  Star Trek
2012  John Carter
2012  Savages
2013  Star Trek Into Darkness
2014  The Amazing Spider-Man 2
2015  Star Wars: The Force Awakens
2016  Zoolander 2
2018  Pacific Rim: Uprising
2018  The Cloverfield Paradox
2019  Star Wars: The Rise of Skywalker
2024  Twisters

Cinematography:
1992  Red Shoe Diaries

Director of Photography:
1992  Red Shoe Diaries

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.