A work in constant progress (and occasional regress).
Release Date:
May 26, 2000
Original Title:
Shanghai Noon
Alternate Titles:
Jackie Chan: Új csapás
Le Cowboy de Shanghai
Shanghai Kid
Shanghai la amiază
上海正午
贖金之王
상하이 눈
샹하이 눈
Genres:
Action | Adventure | Comedy | Western
Production Companies:
Roger Birnbaum Productions
Spyglass Entertainment
Touchstone Pictures
Production Countries:
Hong Kong | United States of America
Ratings / Certifications:
AU: PG BR: 12 CZ: U DE: 12 FR: U GB: 12 GR: 12 HU: 12 IE: 12 KR: 12 NO: 15 SK: 12 US: PG-13
Runtime: 110
Chon Wang, a clumsy imperial guard trails Princess Pei Pei when she is kidnapped from the Forbidden City and transported to America. Wang follows her captors to Nevada, where he teams up with an unlikely partner, outcast outlaw Roy O'Bannon, and tries to spring the princess from her imprisonment.
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"A" Camera Operator:
Paul Edwards
"B" Camera Operator:
Armin Matter
ADR Editor:
Linda Folk
Michele Perrone
ADR Mixer:
David Horner
Scott Schmidt
Jeff Hamon
Brad Hillman
ADR Supervisor:
Kimberly Harris
Additional Editing:
Billy Weber
Art Direction:
Brandt Gordon
Assistant Art Director:
Rand Sagers
Susan Turner
Assistant Costume Designer:
Lizzie McGovern
Assistant Property Master:
Catherine Leighton
David Rosychuk
Assistant Sound Editor:
Ann L. Thornberg
Mark A. Tracy
Associate Editor:
Kevin Nolting
Associate Producer:
Bruce Moriarty
Best Boy Electric:
Gordon Schmidt
Best Boy Grip:
Monty Montgomerie
Boom Operator:
Denis Bellingham
Camera Operator:
Paul A. Edwards
Casting:
Matthew Barry
Nancy Green-Keyes
Co-Producer:
Ned Dowd
Jules Daly
Color Timer:
Bob Kaiser
Construction Coordinator:
Jan Kobylka
Costume Design:
Joseph A. Porro
Costume Supervisor:
Jean Rosone
Gayle Franklin
Dialogue Coach:
Diana C. Weng
Director:
Tom Dey
Director of Photography:
Dan Mindel
Editor:
Richard Chew
Executive Producer:
Jackie Chan
Willie Chan Chi-Keung
Solon So Chi-Hung
Extras Casting:
Louise Mackiewicz
First Assistant "A" Camera:
John T. Connor
First Assistant "B" Camera:
Timothy Robin Spencer
First Assistant Accountant:
Jill Hahn
First Assistant Director:
Bruce Moriarty
First Assistant Hairstylist:
Franca Vaccaro
First Assistant Makeup Artist:
Rita Ciccozzi
Foley Artist:
Alicia Stevenson
Dawn Fintor
John Roesch
Alyson Dee Moore
Foley Mixer:
David Betancourt
Mary Jo Lang
Foley Recordist:
Carolyn Tapp
Hairstylist:
Sharon Li Po-Lin
Key Grip:
Randy Tambling
Key Hair Stylist:
James D. Brown
Leadman:
Stephen C. Peterman
Cynthia La Jeunesse
Makeup Artist:
Ann Pala
Makeup Supervisor:
Rosalina Da Silva
Music Editor:
John LaSalandra
Music Supervisor:
Kathy Nelson
Original Music Composer:
Randy Edelman
Post Production Accountant:
Abraham Park
Producer:
Gary Barber
Roger Birnbaum
Jonathan Glickman
Production Accountant:
April A. Janow
Production Coordinator:
Kaayla Ryane
Production Design:
Peter J. Hampton
Production Sound Mixer:
David Lee
Production Supervisor:
Andrew Francis Fenady
Property Master:
Jimmy Chow
Rigging Gaffer:
Tom Starnes
Screenplay:
Alfred Gough
Miles Millar
Script Supervisor:
Kathryn Buck
Second Assistant "A" Camera:
Dean Heselden
Second Assistant "B" Camera:
Mick Lipohar
Kevin Haverty
Second Unit Director:
E. J. Foerster
Set Decoration:
Bryony Foster
Sound Designer:
Tim Chau
Sound Editor:
Jim Brookshire
Doug Jackson
Nils C. Jensen
David Kern
Nancy MacLeod
Sound Re-Recording Mixer:
Andy D'Addario
Tim Chau
Still Photographer:
Douglas Curran
Jonathan Wenk
Storyboard Artist:
Corran Brownlee
Stunt Coordinator:
Brent Woolsey
Stunt Double:
Marny Eng
Stunts:
Trish Schill
Corry Glass
Marny Eng
Tad Griffith
Lauro David Chartrand-DelValle
Andy Cheng
Supervising Art Director:
Jeff Ginn
Supervising Sound Editor:
Tim Chau
Third Assistant Director:
Michelle Fitzpatrick
Transportation Coordinator:
Coleman Robinson
Unit Production Manager:
Kevin Reidy
Unit Publicist:
Lee Anne Muldoon
Visual Effects Supervisor:
Tim Landry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.