A work in constant progress (and occasional regress).
Release Date:
February 4, 2018
Original Title:
The Cloverfield Paradox
Alternate Titles:
Clean Pass
Cloverfield Movie
Cloverfield Station
Cloverfield: A Partícula de Deus
God Particle
Чудовищният парадокс
پارادوکس کلاورفیلد
Genres:
Horror | Science Fiction | Thriller
Production Companies:
Bad Robot
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 DE: 16 ES: 16 FR: 16 GB: 15 IE: 15 IT: VM14 NL: 16 PL: 16 SG: NC16 TR: 16+ US: PG-13
Runtime: 102
Orbiting above a planet on the brink of war, scientists test a device to solve an energy crisis and end up face-to-face with a dark alternate reality.
Ager/Dyer:
Liz Oliver
Art Department Coordinator:
Courtney Laine Koller
Mike Piccirillo
Art Direction:
Mike Piccirillo
Assistant Art Director:
Gustaf Aspegren
Mike Piccirillo
Assistant Chief Lighting Technician:
Mark Hadland
Assistant Costume Designer:
Timothy A. Wonsik
Assistant Production Coordinator:
Laura Peña
Boom Operator:
Craig Dollinger
Douglas Shamburger
Carpenter:
Jay K. Bedore
James Crain
Casting:
Denise Chamian
Casting Associate:
Beth Day
Chief Lighting Technician:
Christopher Prampin
Conceptual Illustrator:
Fabian Lacey
Construction Coordinator:
Chris Snyder
Costume Design:
Colleen Atwood
Costume Supervisor:
Tom Macdonald
Dialect Coach:
Elizabeth Himelstein
Digital Compositors:
Tricia Barrett
Li Zi Yang
Director:
Julius Onah
Director of Photography:
Dan Mindel
Editor:
Alan Baumgarten
Matt Evans
Rebecca Valente
Executive In Charge Of Production:
Betsy Megel
Executive Producer:
Tommy Harper
Bob Dohrmann
Matt Reeves
Jon Cohen
Executive Visual Effects Producer:
Jeanie King
First Assistant Director:
Mark Anthony Little
Grip:
Jack Serino
Hair Department Head:
Anne Morgan
Hairstylist:
Elizabeth Cortez
Key Grip:
Joe Macaluso
Key Makeup Artist:
Geneva Nash Morgan
Lighting Technician:
Greg Etheredge
Makeup Artist:
Randi Mavestrand
Makeup Department Head:
Bill Corso
On Set Dresser:
John Herrera McElroy
Original Music Composer:
Bear McCreary
Post Production Assistant:
Torrie Goedtel
Post Production Supervisor:
Lisa Rodgers
Producer:
J.J. Abrams
Lindsey Weber
Production Accountant:
Terri Greening
Production Coordinator:
Michyl-Shannon Quilty
Production Design:
Doug J. Meerdink
Property Master:
Andrew M. Siegel
Researcher:
Lizzy Jane Klein
Rigging Gaffer:
John R. Manocchia
Screenplay:
Oren Uziel
Doug Jung
Script Coordinator:
Jake Waller
Script Supervisor:
Dawn Gilliam
Jean-Paul Chreky
Second Assistant Director:
Christopher T. Sadler
Second Unit Director of Photography:
Bruce McCleery
Josh Bleibtreu
Pete Romano
Set Costumer:
Susan Lee
Kelly Porter
Set Decorating Coordinator:
Stephanie Kenny
Set Decoration Buyer:
Sara Philpott
Set Designer:
Chris Sanford
Joseph Hiura
Rich Romig
Patrick Dunn-Baker
Set Dresser:
Paul Mugavero
Jeremy Cisneros
Gregg Szabo
Andre Freimann
Fante Zamora
Paul Penley
Michael Thurman
Set Production Assistant:
Jacob Brades
Daniela Giraldo
Joseph Badagliacca
Alley Sardi
Sound Effects Editor:
Justin M. Davey
Matt Yocum
Sound Mixer:
Steven A. Morrow
Sound Re-Recording Mixer:
Joseph E. Colmenero
Special Effects Makeup Artist:
Andy Clement
Special Effects Supervisor:
Blumes Tracy
Stand In:
Nev Smith
David Philip Reed
Elena Dizon
Standby Painter:
Chris Samp
Still Photographer:
Scott Garfield
Storyboard Artist:
Jonathan Gesinski
Stunt Coordinator:
Mike Massa
Stunt Double:
Martin De Boer
Kiralee Hayashi
Daniel Arrias
Kevin Arnold
Stephen Bralver
Brian Avery
PeiPei Alena Yuan
Alisa Hensley
Stunts:
Craig Frosty Silva
Ashlen Aquila
Darryl Reeves
Kyle Weishaar
Michael T. Brady
Bethany Levy
Michael McGuire
Randy Haynie
Kris A. Jeffrey
Chris O'Hara
Brandon Beckman
Transportation Captain:
Dan Romero
Visual Effects:
Don Bitters III
Brian Adler
Visual Effects Coordinator:
Jingjing Fan
Visual Effects Supervisor:
Jason H. Snell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.