A work in constant progress (and occasional regress).
Release Date:
May 12, 1995
Original Title:
Crimson Tide
Alternate Titles:
Denizde İsyan
Grimizna plima
Karmazynowy Przypływ
Krvava plima
Marea roja
Marée rouge
Punane oht
Raudonasis potvynis
Rött hav
USS Alabama
Valul ucigas
Škrlatna plima
크림슨 타이드
Genres:
Action | Drama | Thriller
Production Companies:
Don Simpson/Jerry Bruckheimer Films
Hollywood Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: 12+ DE: 12 FR: 12 GB: 15 GR: 13 HU: 12 IE: 12 IT: T JP: G KR: 15 NL: 12 PL: 16 PT: M/12 RO: 18 US: R
Runtime: 116
After the Cold War, a breakaway Russian republic with nuclear warheads becomes a possible worldwide threat. U.S. submarine Capt. Frank Ramsey signs on a relatively green but highly recommended Lt. Cmdr. Ron Hunter to the USS Alabama, which may be the only ship able to stop a possible Armageddon. When Ramsay insists that the Alabama must act aggressively, Hunter, fearing they will start rather than stop a disaster, leads a potential mutiny to stop him.
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24 Frame Playback:
Monte Swann
ADR Editor:
Denise Horta
ADR Mixer:
Bob Baron
ADR Voice Casting:
Barbara Harris
Additional Music:
Christopher Ward
Additional Photography:
Dan Mindel
Additional Sound Re-Recording Mixer:
Greg P. Russell
Aerial Camera:
Kurt E. Soderling
Art Direction:
James J. Murakami
Donald B. Woodruff
Dianne Wager
Assistant Art Director:
Daniel Maltese
Assistant Camera:
Duane Mieliwocki
Assistant Chief Lighting Technician:
Al DeMayo
Assistant Editor:
Andrea Bottigliero
Assistant Location Manager:
Mark B. Johnson
Assistant Production Coordinator:
Jennifer Good
Assistant Property Master:
Rick Chavez
Assistant Sound Editor:
Marva Fucci
Assistant Sound Engineer:
Bruno Roussel
Associate Editor:
David Dresher
Associate Producer:
James W. Skotchdopole
Best Boy Grip:
Thomas Gibson
Boom Operator:
Earl Sampson
Cableman:
Peggy Names
Camera Loader:
Shai Greenberg
Camera Operator:
Martin Schaer
Casting:
Victoria Thomas
Casting Associate:
Matthew Barry
Chief Lighting Technician:
Claudio Miranda
Color Timer:
Bob Putynkowski
Compositing Artist:
John Murrah
Compositing Supervisor:
Blaine Kennison
Conductor:
Nick Glennie-Smith
Construction Coordinator:
Dennis DeWaay
Construction Foreman:
Steve Fegley
Costume Design:
George L. Little
Costume Supervisor:
Ellis Cohen
Craft Service:
Ernest H. Lauterio
Digital Effects Supervisor:
Dan DeLeeuw
Digital Producer:
Angie Russell
Director:
Tony Scott
Director of Photography:
Dariusz Wolski
Dolly Grip:
Larry Sweet
Driver:
Chris Haynes
Editor:
Chris Lebenzon
Electrician:
Michael S. Adler
Executive Producer:
Lucas Foster
Bill Unger
Mike Moder
Extras Casting:
David Anthony
First Assistant Accountant:
Linden Johnson
First Assistant Camera:
Dennis J. Laine
First Assistant Director:
James W. Skotchdopole
First Assistant Editor:
Rick Howe
Foley Artist:
Kevin Bartnof
Foley Editor:
Fred Burke
Foley Mixer:
Eric Gotthelf
Gaffer:
David Bartholomew
Grip:
Hilary Klym
Hairstylist:
Ron Scott
Key Grip:
J. Michael Popovich
Leadman:
Edward G. Fitzgerald
Lighting Camera:
Jan Richter-Friis
Location Manager:
Craig Pointes
Location Scout:
Dow Griffith
Makeup Artist:
Ellen Wong
Modeling:
Matsune Suzuki
Music Editor:
Will Kaplan
Bob Badami
Negative Cutter:
Mary Beth Smith
Orchestrator:
Bruce Fowler
Original Music Composer:
Hans Zimmer
Post Production Supervisor:
Miguel Ángel Poveda
Producer:
Jerry Bruckheimer
Don Simpson
Production Accountant:
Jan Garner
Production Assistant:
Vanessa Bendetti
Production Coordinator:
Crys Forsyth-Smith
Production Design:
Michael White
Production Illustrator:
Sean Hargreaves
Property Master:
Michael Papac
Rigging Grip:
Ted Lewis
Screenplay:
Michael Schiffer
Script Supervisor:
P.R. Tooke
Second Assistant Accountant:
Linda C. Azevedo
Second Assistant Camera:
John Ellingwood
Second Assistant Director:
John Wildermuth
Second Second Assistant Director:
Angela C. Tortu
Set Decoration:
Mickey S. Michaels
Set Designer:
Richard Lawrence
Sound Editor:
Midge Costin
Sound Effects Editor:
Kevin Clark
Sound Re-Recording Mixer:
Rick Kline
Gregory H. Watkins
Kevin O'Connell
Sound Recordist:
Matt Araki
Sound mixer:
William B. Kaplan
Special Effects:
Darrell Pritchett
Special Effects Coordinator:
Al Di Sarro
Special Effects Technician:
Gustavo R. Ferreyra
Special Sound Effects:
John P. Fasal
Standby Painter:
John Hinkle
Steadicam Operator:
Dan Kneece
Still Photographer:
Richard Foreman Jr.
Linda R. Chen
Story:
Richard P. Henrick
Michael Schiffer
Stunt Coordinator:
Steve Picerni
Stunts:
Conn Horgan
Chuck Picerni Jr.
Pete Antico
Carl Mergenthaler
Bob Arnold
Tom Bergman
Don Charles McGovern
Jimmy Nickerson
Gary Price
Big Daddy Wayne
Alan Oliney
Darren A. Caperna
Supervising ADR Editor:
Juno J. Ellis
Supervising Sound Editor:
George Watters II
Swing:
Robert Camron
Technical Advisor:
Skip Beard
Title Designer:
Robert Dawson
Transportation Captain:
Eddie A. Canett
Transportation Coordinator:
Michael Antunez
Underwater Camera:
Tom Boyd
Underwater Director of Photography:
Jim Dickson
Unit Production Manager:
Michael Fottrell
Unit Publicist:
Gabriela Gutentag
Utility Sound:
Michael McCormack
Visual Effects:
Tim Sassoon
Visual Effects Editor:
Thomas R. Bryant
Visual Effects Producer:
Cecil Kramer
Visual Effects Supervisor:
Hoyt Yeatman
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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