James Ellis Deakins (b. 1954)

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Alias:
Isabella James Purefoy Ellis
James Deakins
James Ellis

Born:
January 16, 1954

James Ellis Deakins is an American script supervisor from the East Coast. She double majored in in Latin and Greek in college. She initially worked as film lab technician at DuArtFilm Laboratories in New York City. After moving to Los Angeles, she met English cinematographer Roger Deakins on the film set of Homicide (1991), and the pair married soon after.

Additional information:

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Production Consultant:
2013  Prisoners
2014  Unbroken
2015  Sicario
2019  1917

Script Supervisor:
1988  Rocket Gibraltar
1989  Enemies, a Love Story
1990  Betsy's Wedding
1990  Blue Steel
1991  White Fang
1992  Thunderheart
1993  The Dark Half
1993  The Secret Garden
1994  The Shawshank Redemption
1997  Fools Rush In
1997  Kundun
1998  Mercury Rising
1998  The Siege
2003  Levity
2013  Prisoners
2014  Unbroken
2015  Sicario
2019  1917

Set Dresser:
1988  Rocket Gibraltar
1989  Enemies, a Love Story
1990  Betsy's Wedding
1990  Blue Steel
1991  White Fang
1992  Thunderheart
1993  The Dark Half
1993  The Secret Garden
1994  The Shawshank Redemption
1997  Fools Rush In
1997  Kundun
1998  Mercury Rising
1998  The Siege
2003  Levity
2013  Prisoners
2014  Unbroken
2015  Sicario
2018  The Current War
2019  1917

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.