A work in constant progress (and occasional regress).
Release Date:
February 14, 1997
Original Title:
Fools Rush In
Alternate Titles:
נשואים חפוזים
Genres:
Comedy | Drama | Romance
Production Companies:
Columbia Pictures
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ DE: 6 FR: U GB: 12 PT: M/12 US: PG-13
Runtime: 109
After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.
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ADR Editor:
Mary Andrews
ADR Supervisor:
Bob Newlan
Actor's Assistant:
Randall Harris
Juan Goldaracena
Art Direction:
David Crank
Assistant Accountant:
Nicki McCain
Assistant Chief Lighting Technician:
Charles W. Sharp
Assistant Editor:
Kristine McPherson
Jeffrey Harlacker
Jeff Beattie
Assistant Production Coordinator:
Erin Engman
Assistant Property Master:
Jim Falkenstein
Assistant Sound Editor:
Ali Derakhshan
Associate Producer:
Steven P. Saeta
Best Boy Grip:
Philip L. Brown
Boom Operator:
Scott Warren
Cableman:
George Flores
Camera Operator:
Chris Hayes
Casting:
Juel Bestrop
Catering:
Dirk Q. Long
Elliot Turner
Co-Producer:
Anna Maria Davis
Color Timer:
Bob Putynkowski
Construction Coordinator:
Alun Vick
Costume Designer:
Kimberly A. Tillman
Costume Supervisor:
LuEllyn Harper
Costumer:
Virginia Burton
Cathy Crandall
Craft Service:
Kenneth Bondy
Director:
Andy Tennant
Director of Photography:
Robbie Greenberg
Dolly Grip:
David Fay
Editor:
Roger Bondelli
Executive Producer:
Michael McDonnell
First Assistant Camera:
Billy Clevenger
First Assistant Director:
Scott Printz
First Assistant Editor:
Evelyn Purwins
First Assistant Sound Editor:
Tricia Linklater
Foley Artist:
Alicia Stevenson
Foley Supervisor:
Mark Pappas
Hairstylist:
Ermahn Ospina
D.J. Plumb
Key Grip:
Tim Ryan
Lead Painter:
Bob Warner
Leadman:
Jonathan Bobbitt
Lighting Technician:
Melton C. Maxwell
Location Casting:
Marilee Lear
Location Manager:
James M. Morris
Makeup Artist:
Robin Siegel
Karen Blynder
Medical Consultant:
Donna Armstrong
Music Consultant:
Chuck Southcott
Music Editor:
Andrew Silver
Negative Cutter:
Mo Henry
Original Music Composer:
Alan Silvestri
Producer:
Doug Draizin
Producer's Assistant:
Jonathan T. Heath
Production Accountant:
Jan Clark
Production Assistant:
Louis Paul Tocchet
Greg Abdulian
Ramiro Adan Gómez
Cora Lee Coomber
Production Coordinator:
Lois Walker
Production Design:
Edward Pisoni
Production Designer:
Edward Pisoni
Production Manager:
Steven P. Saeta
Property Master:
Michael Courville
Rigging Gaffer:
Rick A. Benedetto
Screenplay:
Katherine Reback
Script Supervisor:
James Ellis Deakins
Second Assistant Camera:
Karl Linde
Second Assistant Director:
Steve Day
Second Second Assistant Director:
Andy Spilkoman
Second Unit Director:
Steven P. Saeta
Set Decoration:
Leslie Morales
Set Designer:
Evelyne Barbier
Sound Editor:
Richard Burton
Michael Magill
Hugo Weng
Kimberly Lowe Voigt
Sound Mixer:
Peter J. Devlin
Sound Re-Recording Mixer:
Scott Millan
Brad Sherman
Jim Fitzpatrick
Special Effects:
Dennis Dion
Still Photographer:
Frank Masi
Story:
Katherine Reback
Joan Taylor
Stunt Coordinator:
Robert Jauregui
Supervising Sound Editor:
John Morris
Transportation Captain:
Dusty Saunders
Transportation Co-Captain:
Dan Brizendine
Unit Publicist:
Gabriela Gutentag
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.