A work in constant progress (and occasional regress).
Release Date:
September 23, 1994
Original Title:
The Shawshank Redemption
Alternate Titles:
Gaqceva shoushenkidan
Homot Shel Tikva
Les Évadés
Rastgari Dar Shawshank
Rita Hayworth - nyckel till flykten
Shoushenkden Qacish
Shôshanku no sora ni
Skazani na Shawshank
Xiao shen ke de jiu shu
Şouşenkdən qaçış
Бекство из Шошенка
Искупление Шоушенком
رستگاری در شاوشنگ
ショーシャンクの空に:1994
쇼생크 탈출
쇼생크탈출
Genres:
Crime | Drama
Production Companies:
Castle Rock Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AR: 13 AU: MA 15+ BR: 16 CA: 14A CH: 16 CZ: 15+ DE: 12 DK: 15 ES: 12 FI: K-16 FR: TP GB: 15 GR: 16 HU: 16 IE: 15 IN: U IT: T JP: PG-12 KR: 15 MX: B NL: 12 NO: 15 PE: 14 PH: R-13 PL: 15 PT: M/16 RU: 16+ SE: 15 SK: 12 TR: 15+ TW: 15+ US: R UY: 16
Runtime: 142
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
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2006 #23 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
2007 #72 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
ADR & Dubbing:
Paul J. Zydel
ADR Editor:
Shelley Rae Hinton
ADR Mixer:
Thomas J. O'Connell
ADR Recordist:
Rick Canelli
ADR Supervisor:
Petra Bach
ADR Voice Casting:
Tom Lent
Barbara Harris
Actor's Assistant:
Sophia Xixis
Alfonso Freeman
Tom Cotter
Additional Second Assistant Camera:
David Moenkhaus
Additional Soundtrack:
Tommy Morgan
Aerial Camera:
Robert 'Bobby Z' Zajonc
Aerial Coordinator:
Robert 'Bobby Z' Zajonc
Animal Wrangler:
Therese Amadio
Art Department Assistant:
Rhonda Yeater
Art Direction:
Peter Landsdown Smith
Assistant Art Director:
Jack Evans
Assistant Director:
John R. Woodward
Thomas Schellenberg
Robert Barnett
Assistant Editor:
Robert C. Lusted
Assistant Sound Editor:
Lori Martino
Best Boy Electric:
Jeremy Knaster
Best Boy Grip:
Keith Bunting
Boom Operator:
Marvin E. Lewis
Camera Department Production Assistant:
Tim.L.armstutz
Casting:
Julie Lichter
Deborah Aquila
Casting Assistant:
Julie Weiss
Color Timer:
David Orr
Colorist:
Keith Shaw
Conductor:
Thomas Newman
Construction Coordinator:
Sebastian Milito
Construction Foreman:
Dixwell Stillman
Costume Design:
Elizabeth McBride
Costumer:
Donnie McFinely
Craft Service:
Brian Boggs
Don Speakman
Mark Moelter
Director:
Frank Darabont
Director of Photography:
Roger Deakins
Dolly Grip:
Bruce Hamme
Driver:
Robert Conrad
Donald Snyder
David Turner
Scott Ruetenik
Chip Vincent
J.D. Thomas
David Smith
Editor:
Richard Francis-Bruce
Electrician:
Kurt Dale Hartman
Executive Music Producer:
Dan Goldwasser
Executive Producer:
David V. Lester
Liz Glotzer
Executive in Charge of Finance:
Kelley Baker
Karin Mercurio
Ramona Sánchez-Waggoner
Extras Casting Assistant:
Linda Weaver
Finance:
Jane Estocin
First Assistant Camera:
Robin Brown
First Assistant Editor:
Patricia A. Galvin
Foley Artist:
Kevin Bartnof
Foley Mixer:
Marilyn Graf
Foley Recordist:
Ron Grafton
Gaffer:
Bill O'Leary
Hairstylist:
Roy Bryson
In Memory Of:
Allen Greene
Key Costumer:
Paul Wells
Kris Kearney
Key Grip:
Don Cerrone
Key Hair Stylist:
Philip Ivey
Loader:
Hope A. Nielsen
Location Assistant:
Chris Cozzi
Location Manager:
Kokayi Ampah
Makeup Artist:
Monty Westmore
Kevin Haney
Music Consultant:
Arlene Fishbach
Music Editor:
Bill Bernstein
Novel:
Stephen King
Orchestrator:
Thomas Pasatieri
Original Music Composer:
Thomas Newman
Painter:
Blair Gibeau
Picture Car Coordinator:
Mario Simon
Pilot:
Robert 'Bobby Z' Zajonc
Producer:
Niki Marvin
Production Accountant:
Ramona Sánchez-Waggoner
Production Assistant:
David Leslie Johnson-McGoldrick
Production Design:
Terence Marsh
Production Office Assistant:
Ramona Sánchez-Waggoner
Amie Tschappat
Michael Vasquez
Joe Schultz
Saxon Eldridge
Production Office Coordinator:
Beth Hickman
Production Sound Mixer:
Willie D. Burton
Production Supervisor:
Sue Bea Montgomery
Kokayi Ampah
Margaret J. Orlando
Projection:
Alan Jacques
Property Master:
Tom Shaw Jr.
Propmaker:
Earl F. Betts
Publicist:
Ernie Malik
Rigging Gaffer:
Richie Ford
Rigging Grip:
Rex Buckingham
Scoring Mixer:
Dennis S. Sands
Screenplay:
Frank Darabont
Script Supervisor:
Sioux Richards
James Ellis Deakins
Seamstress:
Carol Buckler
Second Assistant Camera:
Andy Harris
Second Second Assistant Director:
Michael Greenwood
Set Decoration:
Michael Seirton
Set Designer:
Antoinette J. Gordon
Set Dressing Artist:
Jack Hering
Set Production Assistant:
David McQuade
Jesse V. Johnson
Sound Editor:
Bruce Bell
Sound Recordist:
Jack Keller
Special Effects:
Bob Williams
Standby Painter:
Todd Hatfield
Steadicam Operator:
Gerrit Dangremond
Still Photographer:
Michael P. Weinstein
Stunt Coordinator:
Jerry Gatlin
Stunt Double:
Tom Morga
Stunts:
Dick Hancock
Daniel W. Barringer
A. Michael Lerner
Mickey Guinn
Supervising Sound Editor:
John Stacy
Thanks:
Dennis Baker
Kzar Torres
Manny Centeno
Richard Hall
Stephen King
Eve Lapolla
Lee Tassef
Third Assistant Director:
Jesse V. Johnson
Transportation Captain:
Fred Culbertson
Transportation Coordinator:
David Marder
Unit Production Manager:
David V. Lester
Unit Publicist:
Ernie Malik
Video Assist Operator:
Van Scarboro
Visual Effects Producer:
Melissa Taylor
Wardrobe Assistant:
Cookie Beard
Wardrobe Supervisor:
Taneia Lednicky
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.