A work in constant progress (and occasional regress).
Release Date:
April 3, 1998
Original Title:
Mercury Rising
Alternate Titles:
Al rojo vivo
Alguien sabe demasiado
Mercury Falling
Nome de Código: Mercúrio
Simon
Simon Says
Simple Simon
Код Меркурий
マーキュリー・ライジング:1998
水银蒸发令
终极密码战
Genres:
Action | Crime | Drama | Thriller
Production Companies:
Imagine Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 18 CH: 16 CZ: 12+ DE: 16 DK: 15 FI: K-16 FR: 12 GB: 15 GR: 16 HU: 18 IE: 15 NL: 16 NO: 18 PL: 18 PT: M/12 SE: 15 US: R
Runtime: 111
Renegade FBI agent Art Jeffries protects a nine-year-old autistic boy who has cracked the government's new "unbreakable" code.
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ADR Editor:
Lee Lemont
ADR Mixer:
Thomas J. O'Connell
ADR Recordist:
Rick Canelli
ADR Voice Casting:
Barbara Harris
Additional Music:
Carter Burwell
Apprentice Sound Editor:
Mike Shuman
Art Department Assistant:
Brandon Haug
Art Department Coordinator:
Robert Blasi
Art Department Production Assistant:
Brandon Haug
Art Direction:
Steve Saklad
James F. Truesdale
Assistant Accountant:
Tim Floreen
Assistant Art Director:
Lauren E. Polizzi
Assistant Camera:
Johnny Karls
Assistant Chef:
P.J. Haines
Assistant Editor:
Penny Lee Hallin
Assistant Location Manager:
Brady Breen
Assistant Makeup Artist:
Art Anthony
Assistant Production Coordinator:
Margaret J. Orlando
Assistant Property Master:
James J. Archer
Assistant Sound Editor:
Bradley Clouse
Associate Producer:
Thomas J. Mack
Best Boy Electric:
Ron Ash
Best Boy Grip:
Joseph P. Connelly
Boom Operator:
Gary A. Theard
Camera Loader:
Kathryn Roberts
Carpenter:
Ray Gardner
Casting:
Nancy Klopper
Casting Associate:
Elizabeth Marx
Charge Scenic Artist:
John Snow
Chef:
Larry Donahue
Chief Lighting Technician:
Alphonse Blumenthal
Co-Producer:
Paul Neesan
Maureen Peyrot
Color Timer:
Mike Milliken
Conductor:
John Barry
Construction Coordinator:
David Elliott
Construction Foreman:
Michael Crowley
Costume Design:
Betsy Heimann
Costume Supervisor:
Dan Bronson
Craft Service:
Raymond Bulinski
Director:
Harold Becker
Director of Photography:
Michael Seresin
Dolly Grip:
Mike Moad
Driver:
Daniel Canamar
Editor:
Peter Honess
Editorial Production Assistant:
José María Álvarez
Electrician:
Sam Bertone
Executive Assistant:
Dan Sullivan
Executive Producer:
Joseph Singer
Ric Kidney
Extras Casting Assistant:
Cody Lassen
First Assistant Accountant:
Joanie Spates
First Assistant Camera:
Alan R. Disler
First Assistant Director:
Thomas J. Mack
First Assistant Editor:
Beth Jochem Besterveld
First Assistant Sound Editor:
David Wolowic
Foley Artist:
Kevin Bartnof
Foley Mixer:
Eric Gotthelf
Foley Recordist:
Ron Grafton
Generator Operator:
John Armstrong
Graphic Designer:
Janet Thalken
Greensman:
Carlos Medina Jr.
Key Grip:
Rick Brown
Key Hair Stylist:
Marlene D. Williams
Key Makeup Artist:
Leonard Engelman
Location Assistant:
Patricia Ebert
Location Coordinator:
Marcie Friedman
Location Manager:
Lisa Blok-Linson
Location Scout:
Jennifer Baron
Makeup Artist:
Gerald Quist
Music Coordinator:
Vicki Arkoff
Music Editor:
Cliff Kohlweck
Music Supervisor:
Stephan R. Goldman
Negative Cutter:
Doug Jones
Novel:
Ryne Douglas Pearson
Original Music Composer:
John Barry
Painter:
Alan Broadbent
Payroll Accountant:
Eamon Buehning
Post Production Supervisor:
Karen Snow
Producer:
Brian Grazer
Karen Kehela Sherwood
Production Accountant:
Don Orlando
Chris Brown
Production Coordinator:
Jacqui Popelka
Production Design:
Patrizia von Brandenstein
Production Illustrator:
Sherman Labby
Production Secretary:
Linda C. Adams
Production Sound Mixer:
Kim H. Ornitz
Projection:
John Marston
Property Master:
Thomas Saccio
Propmaker:
Fred Apolito
Rigging Gaffer:
John P. Friday
Rigging Grip:
Michael Dronge
Scoring Mixer:
John Richards
Screenplay:
Lawrence Konner
Mark Rosenthal
Script Supervisor:
James Ellis Deakins
Seamstress:
Jane Blank
Second Assistant Accountant:
Janette Evans
Second Assistant Camera:
Makiko Carlson
Second Assistant Director:
David Kelley
Second Second Assistant Director:
C.C. Barnes
Set Decorating Coordinator:
Cece Destefano
Set Decoration:
Maria Nay
Set Decoration Buyer:
Carl Catanese
Set Designer:
Alan Hook
Jeff B. Adams Jr.
Set Dressing Artist:
Anthony Barracca
Set Medic:
Ross L. Kulma
Set Painter:
Thomas Moffitt
Set Production Assistant:
Anne Berger
Sound Editor:
Brian Best
Sound Mixer:
Gregg Landaker
Special Effects Assistant:
Miguel Atilano
Special Effects Coordinator:
Guy Clayton
Special Effects Technician:
Douglas Calli
Standby Painter:
John Hinkle
Still Photographer:
Peter Sorel
Studio Teachers:
Richard Wicklund
Stunt Coordinator:
Joe Dunne
Stunt Double:
A. Michael Lerner
Bob Brown
Laura Dash
Stunt Driver:
Eddie J. Fernandez
Stunts:
Ritchie Copenhaver
Joyce McNeal
Linda Perlin
Stacy Logan
Melanie A. Allen
Supervising ADR Editor:
Becky Sullivan
Supervising Sound Editor:
Terry Rodman
Technical Advisor:
Bennett Leventhal
Transportation Co-Captain:
Kevin Maxwell
Transportation Coordinator:
Michael D. Menapace
Unit Production Manager:
David B. Householter
Unit Publicist:
Bronwyn Preston
Utility Sound:
Donna Cihak
Utility Stunts:
Spitfire Brown
Video Assist Operator:
Michael J. Hogan
Visual Effects Coordinator:
Julie Creighton
Visual Effects Editor:
Brett De Carroll
Visual Effects Producer:
Tom Kennedy
Visual Effects Production Assistant:
David Valentin
Visual Effects Supervisor:
Michael Owens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.