Jon Voight (b. 1938)

Alias:
Jonathan Vincent Voight
強·沃特

Birthplace:
Yonkers, New York, USA

Born:
December 29, 1938

Jonathan Vincent "Jon" Voight is an American actor. He has received an Academy Award, out of four nominations, and three Golden Globe Awards, out of nine nominations.  Voight came to prominence in the late 1960s with his performance as a would-be gigolo in Midnight Cowboy (1969). During the 1970s, he became a Hollywood star with his portrayals of a businessman mixed up with murder in Deliverance (1972), a paraplegic Vietnam veteran in Coming Home (1978), for which he won an Academy Award for Best Actor, and a penniless ex-boxing champion in The Champ (1979).  Although his output slowed during the 1980s, Voight received critical acclaim for his performance as a ruthless bank robber in Runaway Train (1985). During the 1990s, he most notably starred as an unscrupulous showman attorney in The Rainmaker (1997).  Voight gave critically acclaimed biographical performances during the 2000s, appearing as sportscaster Howard Cosell in Ali (2001), as Nazi officer Jürgen Stroop in Uprising (2001), and as Pope John Paul II in the television film of the same name (2005).  Voight is the father of actress Angelina Jolie.

Additional information:

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Co-Executive Producer:
1999  Baby Geniuses

Director:
1995  The Tin Soldier
1999  Baby Geniuses

Executive Producer:
1995  The Tin Soldier
1999  Baby Geniuses
2014  The Final Song

Writer:
1982  Lookin' to Get Out
1990  Eternity
1995  The Tin Soldier
1999  Baby Geniuses
2014  The Final Song

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.