National Treasure (2004) [PG]

Release Date:
November 19, 2004

Original Title:
National Treasure

Alternate Titles:
Benjamin Gates (1) et le trésor des templiers
Böyük Xəzinə
El tesoro perdido 1
Honba za pokladom Templárov
La búsqueda
La búsqueda (National Treasure)
Nacionalno blago
National Treasure 1
Skarb Narodów
Sokrovishche natsii
Sonomo
Sta íchni tou chaménou thisavroú
Sŭkrovishteto
Trésor National
驚天奪寶

Genres:
Action | Adventure | Mystery | Thriller

Production Companies:
Jerry Bruckheimer Films
Junction Entertainment
Saturn Films
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: 12  CH: 12  CZ: 15+  DE: 12  DK: 11  ES: APTA  FR: TP  GB: PG  GR: PG  HU: 16  IE: 12  JP: G  MX: B  NL: 12  PL: 12  PT: M/12  RO: 12  RU: 12+  SE: 7  US: PG 

Runtime: 131

In order to break the code, one man will have to break all the rules.

Modern treasure hunters, led by archaeologist Ben Gates, search for a chest of riches rumored to have been stashed away by George Washington, Thomas Jefferson and Benjamin Franklin during the Revolutionary War. The chest's whereabouts may lie in secret clues embedded in the Constitution and the Declaration of Independence, and Gates is in a race to find the gold before his enemies do.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

3D Supervisor:
Anupam Das

ADR Editor:
Laura Graham

ADR Mixer:
Doc Kane
Howard London

ADR Recordist:
Jeanette Browning

ADR Voice Casting:
Barbara Harris

Additional Music:
Don L. Harper

Additional Production Assistant:
Sara Webster

Animation:
Angie Jones

Armorer:
Tony Swatton

Art Department Assistant:
Pamela Bertini

Art Department Coordinator:
Canada Johanna Gordon

Art Department Production Assistant:
Lauren Brezner

Art Direction:
Lawrence A. Hubbs

Assistant Art Director:
William Hiney

Assistant Camera:
Eric Laudadio

Assistant Costume Designer:
Marilyn Matthews

Assistant Director:
Albert Cho

Assistant Editor:
Brett M. Reed
David Gray

Assistant Location Manager:
Linda 'Sam' Glynn

Assistant Makeup Artist:
Jay Wejebe

Assistant Production Coordinator:
Derek DiBiagio

Assistant Property Master:
John McDonnell

Associate Producer:
Benjamin Melniker
Pat Sandston
Michael Uslan

Best Boy Electric:
Dana Arnold

Best Boy Grip:
Rod Farley

Boom Operator:
Cary Weitz

CG Supervisor:
Sean Andrew Faden

Camera Loader:
Daniel Casey

Camera Operator:
Ray De La Motte

Camera Technician:
Richard J. Brock

Carpenter:
Bryan Badman

Casting:
Avy Kaufman

Casting Assistant:
Cody Beke

Casting Associate:
Elizabeth Greenberg

Charge Scenic Artist:
Peter Hackman

Chief Lighting Technician:
Colin J. Campbell

Color Timer:
Tommy Hooper
Stephen Nakamura

Colorist:
Mark T. Osborne

Conductor:
Gordon Goodwin

Construction Coordinator:
Greg John Callas

Construction Foreman:
Bert Rodriguez

Controller:
Jen Hutchinson

Costume Design:
Judianna Makovsky

Costume Supervisor:
Michael Adkins

Craft Service:
Thomas M. Cornelius

Dialect Coach:
Michael Buster

Dialogue Editor:
David V. Butler
Allen Hartz

Digital Intermediate Assistant:
Christopher Reichel

Digital Intermediate Editor:
Ron Barr

Director:
Jon Turteltaub

Director of Photography:
Caleb Deschanel

Dolly Grip:
Lloyd Barcroft

Driver:
Jack Carpenter

Editor:
William Goldenberg

Electrician:
Russell Ayer

Executive Assistant:
Ro Gorski

Executive In Charge Of Production:
KristieAnne Reed

Executive Producer:
Oren Aviv
Chad Oman
Charles Segars
Christina Steinberg
Mike Stenson
Barry H. Waldman

Executive Visual Effects Producer:
Blondel Aidoo

Extras Casting:
Jennifer Bender

First Assistant Accountant:
Laura Connors

First Assistant Camera:
Louie DeMarco

First Assistant Property Master:
Christopher Amy

First Assistant Sound Editor:
Doug Parker

Foley Artist:
John T. Cucci
Dan O'Connell

Foley Editor:
Matthew Harrison
Jim Likowski

Foley Mixer:
James Ashwill

Foley Supervisor:
Victoria Martin

Gaffer:
Andy Day

Generator Operator:
Timothy Healy

Graphic Designer:
Andrew Campbell

Greensman:
Frank Cappiello

Grip:
Dick Deats

Hair Department Head:
Matt Danon

Hairstylist:
David Danon

Helicopter Camera:
Michael Kelem

I/O Supervisor:
Brian Cuscino

Key Construction Grip:
Vincent Guarriello

Key Hair Stylist:
Beatrice De Alba

Key Rigging Grip:
Ted Spiegler

Key Set Costumer:
Brian Callahan

Key Set Production Assistant:
Eric Glasser

Layout:
John Trujillo

Lead Painter:
Leigh-Alexandra Jacob

Leadman:
Anthony Carlino

Lighting Technician:
Dylan Rush

Location Assistant:
Ramiro 'Melo' Flores

Location Coordinator:
Lisa Fozzati

Location Manager:
Charley Armstrong

Location Production Assistant:
Cheryl Ryan

Location Scout:
Jonathan Reich

Makeup Artist:
Robin Beauchesne
Scott H. Eddo

Makeup Designer:
Kris Evans

Makeup Effects:
Grady Holder

Music Editor:
Jennifer Nash
Jeanette Surga

Music Supervisor:
Bob Badami

On Set Dresser:
Mark Palmer

Orchestrator:
Tom Calderaro

Original Music Composer:
Trevor Rabin

Painter:
Tammy DeRuiter

Payroll Accountant:
Michael Neal

Picture Car Coordinator:
Kevin Craig

Pilot:
Steven Masi

Post Production Assistant:
Knar Kitabjian

Post Production Coordinator:
Heidi Psyk

Post Production Supervisor:
Tami Goldman

Producer:
Jon Turteltaub
Jerry Bruckheimer

Production Accountant:
Pepper O'Brien

Production Assistant:
Denise A. Beale

Production Controller:
Julie Jones

Production Coordinator:
Kate Brown

Production Design:
Norris Spencer

Production Illustrator:
Darek Gogol

Production Secretary:
Malika R. Cohen

Production Supervisor:
Douglas C. Merrifield

Property Master:
Robert Griffon Jr.

Propmaker:
Richard E. Birch

Researcher:
Vanessa Bendetti

Rigging Grip:
Rod Farley

Screenplay:
Jim Kouf
Cormac Wibberley
Marianne Wibberley

Script Coordinator:
Gary Rieck

Script Supervisor:
Alicia Accardo

Sculptor:
Fred Arbegast

Second Assistant Accountant:
Anna Belaro-Rodriguez

Second Assistant Camera:
Eric Amundsen

Second Assistant Director:
Christina Fong

Second Second Assistant Director:
Hans Berggren

Second Unit Director:
Philip G. Atwell
Mic Rodgers

Second Unit Director of Photography:
Eric Engler

Senior Visual Effects Supervisor:
Nathan McGuinness

Set Buyer:
Carl Catanese

Set Costumer:
Susan Antonelli

Set Decorating Coordinator:
Monica Frommholz

Set Decoration:
Anne D. McCulley

Set Designer:
Mark Hitchler
Dean Wolcott

Set Dressing Artist:
Courtney J. Andersen

Set Medic:
Rich Fellegara

Sound Editor:
Odin Benitez

Sound Effects Editor:
Michael Jonascu
F. Hudson Miller
R.J. Palmer
Suhail Kafity
Gary Wright

Sound Mixer:
William B. Kaplan

Sound Re-Recording Mixer:
Kevin O'Connell
Greg P. Russell

Special Effects Coordinator:
J.C. Brotherhood

Special Effects Technician:
William Catania

Stand In:
Marco Kyris

Standby Painter:
Henry Schaub

Steadicam Operator:
Marcis Cole

Still Photographer:
Jim Bridges

Story:
Jim Kouf
Oren Aviv
Charles Segars

Storyboard Artist:
Trevor Goring

Stunt Coordinator:
George Marshall Ruge

Stunt Double:
Charles Grisham
Lisa Hoyle

Stunt Driver:
David Castillo

Stunts:
Daniel W. Barringer
Bob Minor
Mark De Alessandro
Tony Brubaker
James M. Halty
Steve Hart
Jim Stephan
Eddie Yansick
Heidi Moneymaker
Janet Paparazzo
Harry Wowchuk
Tom Morga
Eric Norris
Kurt D. Lott
Richard L. Blackwell
Charles Grisham
Richard Bucher
Peter Bucossi
John Dixon
Jeremy Fry
Mickey Giacomazzi
Russell Towery
Gene Hartline

Supervising ADR Editor:
Kimberly Harris

Supervising Art Director:
Geoff Hubbard
Ray Chan

Supervising Dialogue Editor:
David A. Arnold

Supervising Sound Editor:
George Watters II

Third Assistant Director:
Rhys Summerhayes

Title Designer:
Robert Dawson

Transportation Captain:
Ron Kunecke

Transportation Co-Captain:
Anthony Canard

Transportation Coordinator:
Bryce Guy Williams

Travel Coordinator:
Barrett J. Leigh

Unit Production Manager:
Donna E. Bloom

Unit Publicist:
Shelley Kirkwood

Utility Stunts:
Michael Hilow
Paul M. Lane

Video Assist Operator:
Jesse Kaplan

Visual Effects Coordinator:
Andy Foster

Visual Effects Producer:
Kathy Chasen-Hay

Visual Effects Supervisor:
Mitchell S. Drain

Wigmaker:
Erwin H. Kupitz

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.