Home

Pride and Glory (2008) [R]

Release Date:
September 9, 2008

Original Title:
Pride and Glory

Alternate Titles:
A zsaruk becsülete
Cuestión de Honor
Força Policial
Le Prix de la loyauté
Pride and Glory - Il prezzo dell'onore
Zəfər və Qürur
光荣战警
非法警戒

Genres:
Crime | Drama | Mystery | Thriller

Production Companies:
Avery Pix
Kumar Mobiliengesellschaft mbH & Co. Projekt Nr. 1 KG
New Line Cinema
O'Connor Brothers
Solaris Film

Production Countries:
Germany | United States of America

Ratings / Certifications:
AU: MA15+  BR: 16  DE: 16  ES: 18  FI: K-15  FR: 12  GB: 15  GR: 16  IE: 15  PT: M/16  US: R 

Runtime: 130

Truth. Honor. Loyalty. Family. What are you willing to sacrifice?

Overview from TheMovieDB

A saga centered on a multi-generational family of New York City Police officers. The family's moral codes are tested when Ray Tierney, investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Gerard Sava

"B" Camera Operator:
Wayne Paull
David Knox
Petr Hlinomaz

ADR Mixer:
Thomas J. O'Connell

ADR Recordist:
Rick Canelli

ADR Voice Casting:
Barbara Harris

Art Department Coordinator:
Russell Barnes

Art Direction:
James Donahue

Assistant Costume Designer:
Wallace G. Lane Jr.

Assistant Set Decoration:
Susan Raney

Best Boy Grip:
Bob Izzo

Boom Operator:
Laurel Bridges

Casting:
Sarah Halley Finn
Randi Hiller

Chief Lighting Technician:
Robert Sciretta

Construction Coordinator:
Brent Haywood

Costume Design:
Abigail Murray

Director:
Gavin O'Connor

Director of Photography:
Declan Quinn

Editor:
Lisa Zeno Churgin
John Gilroy

Executive Producer:
Cale Boyter
Marcus Viscidi
Toby Emmerich

First Assistant Director:
Todd Pfeiffer

First Assistant Editor:
Terel Gibson
Aaron Marshall

First Assistant Sound Editor:
Nathan Whitehead

Foley Editor:
Thomas W. Small

Foley Supervisor:
Shawn Sykora

Genetator Operator:
Michael W. Brennan

Hairstylist:
Robert Fama
Lisa Hazell

Key Grip:
Kevin Smyth

Makeup Artist:
Don Kozma

Music Editor:
Curtis Roush

Music Supervisor:
Nic Harcourt

Original Music Composer:
Mark Isham

Producer:
Robert Hopes
Greg O'Connor
Josh Fagin

Production Accountant:
Richard Mancuso

Production Design:
Dan Leigh

Property Master:
William F. Reynolds

Screenplay:
Joe Carnahan
Gavin O'Connor

Script Supervisor:
Christine Gee

Second Assistant Director:
Colin MacLellan

Second Second Assistant Director:
Sarah Rae Garrett

Set Decoration:
Ron von Blomberg

Sound Designer:
Eric Lindemann

Sound Effects Editor:
Mark Larry

Sound Mixer:
William Sarokin

Special Effects Coordinator:
John Stifanich

Special Effects Supervisor:
Steven Kirshoff

Still Photographer:
Glen Wilson

Story:
Robert Hopes
Greg O'Connor
Gavin O'Connor

Stunt Coordinator:
Peter Bucossi

Stunt Double:
Brian Eidens
Jim Ford
Norman Douglass
Mark Fichera

Stunt Driver:
Donald John Hewitt
Cort Hessler
Christopher Place
Thomas Place
Roy Farfel
Mike Burke

Stunts:
Chazz Menendez
Tim Garris
Bob Lake
Charles Santy
Chris Colombo
Thomas Place
Tim Gallin
Luis Da Silva Jr.
Alberto Bonilla
Angelina Cruz
Brian Keith Allen

Supervising Sound Editor:
Eric Lindemann

Transportation Captain:
Mo Fitzgerald

Unit Production Manager:
Meredith Zamsky
Marcus Viscidi

Unit Publicist:
Amy Leigh Johnson

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.