Paul Edwards

Gallery Unavailable

Additional information:

The Search Form


"A" Camera Operator:
2000  Shanghai Noon

"B" Camera Operator:
2000  Shanghai Noon
2020  Enola Holmes

Additional Camera:
1995  Tales from the Hood
2000  Shanghai Noon
2020  Enola Holmes

Camera Operator:
1990  The Gumshoe Kid
1995  Tales from the Hood
2000  Shanghai Noon
2004  The Phantom of the Opera
2014  Dracula Untold
2020  Enola Holmes
2022  Enola Holmes 2
2023  Men Up

Second Unit Director of Photography:
1989  Gleaming the Cube
1990  The Gumshoe Kid
1995  Tales from the Hood
2000  Shanghai Noon
2004  The Phantom of the Opera
2014  Dracula Untold
2020  Enola Holmes
2022  Enola Holmes 2
2023  Men Up

Steadicam Operator:
1989  Gleaming the Cube
1990  The Gumshoe Kid
1995  Tales from the Hood
1999  Human Traffic
1999  Solomon & Gaenor
2000  Shanghai Noon
2001  Charlotte Gray
2001  Enigma
2002  Anita and Me
2003  Love Actually
2003  The Actors
2004  Harry Potter and the Prisoner of Azkaban
2004  The Phantom of the Opera
2005  The Hitchhiker's Guide to the Galaxy
2006  Brothers of the Head
2007  Sunshine
2009  Cracks
2010  Robin Hood
2010  The Big I Am
2011  The Awakening
2012  Byzantium
2014  Before I Go to Sleep
2014  Dracula Untold
2015  The Man from U.N.C.L.E.
2017  King Arthur: Legend of the Sword
2018  Ghost Stories
2018  The Current War
2018  The Favourite
2020  Enola Holmes
2022  Enola Holmes 2
2023  Men Up

Camera Loader:
????  La Hollande sauvage

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.