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Lucy Liu (b. 1968)

Alias:
Lucy Alexis Liu
Λούσι Αλέξις Λιού
Λούσι Λιού
刘玉玲
劉玉玲
루시 리우

Birthplace:
New York City, New York, USA

Born:
December 2, 1968

Biography from TheMovieDB

Lucy Alexis Liu (born December 2, 1968) is an American actress. Her accolades include winning a Critics' Choice Television Award, two Screen Actors Guild Awards and a Seoul International Drama Award, in addition to nominations for a Primetime Emmy Award.  Liu has starred as Ling Woo in the television series Ally McBeal (1998–2002), Alex Munday in two Charlie's Angels films (2000 and 2003) and Joan Watson in the crime-drama series Elementary (2012–2019). Her film work includes starring in Payback (1999), Shanghai Noon (2000), Chicago (2002), Kill Bill: Volume 1 (2003), Lucky Number Slevin (2006), Watching the Detectives (2007), The Man with the Iron Fists (2012), and Set It Up (2018).  Liu provided voice acting for Master Viper in the Kung Fu Panda franchise (2008–2016) and Silvermist in the Tinker Bell series (2008–2014). Her other voice credits include Maya & Miguel (2004–2007), Mulan II (2004), as well as the English and Mandarin-dubbed versions of Magic Wonderland (2014) and The Tale of the Princess Kaguya (2013). She also voiced Callisto Mal in the Disney-animated film Strange World (2022). Most recently she starred as Kalypso in Shazam! Fury of the Gods.

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Additional information:

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Film Performances

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Film Production

Director:
2014  Meena

Executive Producer:
2006  Freedom's Fury
2007  Code Name: The Cleaner
2014  Meena
2021  Unzipped: An Autopsy of American Inequality
2022  If You Have

Producer:
2006  Freedom's Fury
2007  Code Name: The Cleaner
2014  Meena
2021  Unzipped: An Autopsy of American Inequality
2022  If You Have
????  Nobody Nothing Nowhere

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TV Performances

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TV Production

Director:
1999  Law & Order: Special Victims Unit
2012  Elementary
2013  Graceland
2016  Marvel's Luke Cage
2018  New Amsterdam
2019  Why Women Kill
2023  American Born Chinese

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.