Rick Ash

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Alias:
Richard Ash
Rich Ash
Rick Ashe

Rick Ash is an American film and television Sound Re-Recording Mixer based in Los Angeles, California. He spent many years on staff at Todd-AO, began working for Widget Post in 2008, and joined the sound team at Periscope Post & Audio in 2019. He also has a long affiliation with Walt Disney Studios.

Additional information:

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ADR Mixer:
1987  The Caller

Additional Sound Re-Recording Mixer:
1987  The Caller
2001  Black Hawk Down

Foley Artist:
1986  Stand by Me
1987  The Caller
2001  Black Hawk Down

Foley Mixer:
1986  Stand by Me
1987  The Caller
2001  Black Hawk Down

Sound:
1986  Stand by Me
1987  The Caller
1994  Pulp Fiction
1997  Four Days in September
2001  Black Hawk Down
2004  The Brown Bunny
2006  Pu-239

Sound Mixer:
1985  Do You Remember Love
1986  Stand by Me
1987  The Caller
1994  Pulp Fiction
1997  Four Days in September
2001  Black Hawk Down
2004  The Brown Bunny
2006  Pu-239

Sound Re-Recording Mixer:
1985  Do You Remember Love
1986  Stand by Me
1987  The Caller
1988  Night of the Demons
1989  Heathers
1992  A Woman Scorned: The Betty Broderick Story
1992  Straight Talk
1993  Mother's Boys
1993  Star
1994  Cabin Boy
1994  Pulp Fiction
1994  The Puppet Masters
1994  When a Man Loves a Woman
1995  Heavyweights
1995  Mad Love
1996  Alaska
1997  Four Days in September
1998  Buffalo '66
2000  Under Suspicion
2001  15 Minutes
2001  Black Hawk Down
2001  I Am Sam
2001  The Mummy Returns
2002  Real Women Have Curves
2003  The Shape of Things
2004  Maria Full of Grace
2004  The Brown Bunny
2004  The Life and Death of Peter Sellers
2005  Crash
2006  Little Miss Sunshine
2006  Pu-239
2007  Bury My Heart at Wounded Knee
2007  The Mist
2009  The Last House on the Left
2009  Thick as Thieves
2013  12 Rounds 2: Reloaded
2016  20th Century Women
2016  Captain Fantastic
2020  The Thing About Harry
2023  Jamojaya
2024  Bleeding Love

Sound Re-Recording Mixer:
2015  The Returned

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.