Andrzej Sekula (b. 1954)

Alias:
Sekula

Birthplace:
Wrocław, Poland

Born:
December 19, 1954

From Wikipedia, the free encyclopedia.  Andrzej Sekuła (born 1954 in Wrocław, Poland) is a Polish cinematographer and film director. He left his native Poland in 1980 and currently lives in Los Angeles. His cinematography work has appeared in such prominent films as Reservoir Dogs and Pulp Fiction.  In Armored, Sekula's work helped convey the bleakness at the core of the film, critic A. O. Scott wrote in The New York Times.  Description above from the Wikipedia article Andrzej Sekuła, licensed under CC-BY-SA, full list of contributors on Wikipedia

Additional information:

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Assistant Camera:
1986  Caprice

Cinematography:
1986  Caprice
1993  Bank Robber
1995  Across the Moon
2018  Speed Kills

Director:
1986  Caprice
1993  Bank Robber
1995  Across the Moon
2000  Voodoo Dawn
2002  Cube 2: Hypercube
2006  The Pleasure Drivers
2018  Speed Kills
2021  While We Sleep

Director of Photography:
1986  Caprice
1991  Revolver
1992  Reservoir Dogs
1993  Bank Robber
1993  Three of Hearts
1994  Oleanna
1994  Pulp Fiction
1994  Sleep with Me
1995  Across the Moon
1995  Body Language
1995  Four Rooms
1995  Hackers
1995  Original Sins
1997  A Further Gesture
1997  Stand-Ins
1998  Cousin Bette
2000  American Psycho
2000  Voodoo Dawn
2002  Cube 2: Hypercube
2006  The Pleasure Drivers
2007  Vacancy
2008  Vice
2009  Armored
2010  Trust
2012  For the Love of Money
2014  Rage
2016  I Am Wrath
2016  USS Indianapolis: Men of Courage
2017  Lord of Shanghai
2018  Speed Kills
2020  Lord of Shanghai 2
2021  While We Sleep
2023  Purring Metal
2023  The Ritual Killer
2024  Place of Bones

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.