A work in constant progress (and occasional regress).
Nathan Nance is an American sound engineer. He was nominated for an Academy Award in the category Best Sound for the film Mank. Nance has won a Primetime Emmy Award and been nominated for three more in the category Outstanding Sound Mixing for his work on the television program House of Cards. His win was shared with Lorenzo Millan and Scott R. Lewis. Description above from the Wikipedia article Nathan Nance, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Sound Re-Recording Mixer:
2020 Soul
2023 Elemental
Mix Technician:
2008 Home Movie
2020 Soul
2023 Elemental
Sound:
2008 Home Movie
2008 The Sky Crawlers
2018 The Pig on the Hill
2020 Soul
2023 Elemental
Sound Mix Technician:
2008 Home Movie
2008 The Sky Crawlers
2009 9
2009 Up
2018 The Pig on the Hill
2020 Soul
2023 Elemental
Sound Re-Recording Mixer:
2008 Home Movie
2008 The Sky Crawlers
2009 9
2009 Up
2014 The Boxtrolls
2016 Finding Dory
2017 Cars 3
2018 Incredibles 2
2018 The Pig on the Hill
2019 Toy Story 4
2020 Mank
2020 Soul
2023 Elemental
2024 Orion and the Dark
2025 The Electric State
Sound Recordist:
2007 We Own the Night
2008 Home Movie
2008 The Sky Crawlers
2009 9
2009 Up
2011 Super 8
2014 The Boxtrolls
2016 Finding Dory
2017 Cars 3
2018 Incredibles 2
2018 The Pig on the Hill
2019 Toy Story 4
2020 Mank
2020 Soul
2023 Elemental
2024 Orion and the Dark
2025 The Electric State
Supervising Sound Editor:
2007 We Own the Night
2008 Home Movie
2008 The Sky Crawlers
2009 9
2009 Up
2011 Super 8
2014 The Boxtrolls
2016 Finding Dory
2017 Cars 3
2018 Incredibles 2
2018 The Pig on the Hill
2019 Toy Story 4
2020 Mank
2020 Soul
2022 Omoiyari
2023 Elemental
2024 Orion and the Dark
2025 The Electric State
Sound Re-Recording Mixer:
2017 MINDHUNTER
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.