A work in constant progress (and occasional regress).
Premiere:
January 24, 2025
# of Seasons: 1
# of Episodes: 8
Finale:
January 24, 2025
Creators:
Lee Do-yoon
Original Title:
중증외상센터
Alternate Titles:
Golden Hour
The Trauma Code: Heroes on Call
Trauma Center
外伤重症中心
外傷重症中心
골든 아워
Genres:
Drama
Production Companies:
Mays Entertainment
Studio N
Countries:
KR
To create a top-tier trauma center, a war-seasoned doctor arrives — bringing his blunt but skilled ways to transform his team into life-saving mavericks.
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Costume Design:
Chae Kyung-hwa
Digital Intermediate:
Kim Hyung-shek
Director of Photography:
Choi Sang-muk
Editor:
Park Min-sun
Executive Producer:
Kwon Mi-kyung
Park Mae-hee
Key Grip:
고제욱
Lighting Director:
이형중
Makeup & Hair:
Lee Sun-mi
Martial Arts Choreographer:
Noh Nam-seok
Novel:
Lee Nak-jun
Original Music Composer:
Primary
Producer:
Jun Piel-do
남훈영
Production Design:
Kim Min-hye
Production Sound Mixer:
Kang Na-roo
Props:
Shin Bo-ra
한정학
Sound Mixer:
Lee Seung-yeop
Special Effects Makeup Artist:
Pi Dae-seong
Seol Ha-un
Special Effects Supervisor:
Jung Do-ahn
Lee Hee-kyoung
Tattoo Designer:
Aerok Kim
Visual Effects:
Jeong Seong-uk
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.