A work in constant progress (and occasional regress).
Alias:
김형석
Colorist:
2007 Underground Rendezvous
2023 Honeysweet
Digital Colorist:
2007 Seven Days
2007 Underground Rendezvous
2008 Dachimawa Lee
2008 The Good, the Bad, the Weird
2009 Bandhobi
2009 Mother
2009 Running Turtle
2009 The Actresses
2009 Thirst
2009 Woochi: The Demon Slayer
2010 I Saw the Devil
2010 Poetry
2010 The Man from Nowhere
2011 Always
2011 Battlefield Heroes
2011 Silenced
2012 A Werewolf Boy
2012 Helpless
2012 Masquerade
2023 Honeysweet
Digital Intermediate:
2007 Seven Days
2007 Underground Rendezvous
2008 Dachimawa Lee
2008 The Good, the Bad, the Weird
2009 Bandhobi
2009 Mother
2009 Running Turtle
2009 The Actresses
2009 Thirst
2009 Woochi: The Demon Slayer
2010 I Saw the Devil
2010 Poetry
2010 The Man from Nowhere
2011 Always
2011 Battlefield Heroes
2011 Silenced
2012 A Werewolf Boy
2012 Helpless
2012 Masquerade
2015 The Tiger
2016 Asura: The City of Madness
2016 The Bacchus Lady
2016 The Last Princess
2016 The Net
2017 Cherry Blossoms, Again
2017 I Can Speak
2017 Our President
2017 The Bros
2017 The Swindlers
2018 Illang: The Wolf Brigade
2018 Our Body
2018 The March for the Lost
2018 The Negotiation
2019 Homme Fatale
2019 Idol
2019 Innocent Witness
2019 Metamorphosis
2019 Sub-zero Wind
2019 The First Shot
2019 Way Back Home
2020 Lucky Monster
2021 Miracle: Letters to the President
2021 Shades of the Heart
2021 Shark: The Beginning
2021 Speed of Happiness
2022 Confession
2022 Confidential Assignment 2: International
2022 Project Wolf Hunting
2023 Honeysweet
2023 Smugglers
2023 The Devil's Deal
2023 This is the President
2023 Unlocked
2024 Escape
2024 Hijack 1971
2024 Pilot
2025 Dark Nuns
Digital Intermediate:
2021 Squid Game
2024 Hierarchy
2024 The Bequeathed
2025 Karma
2025 The Trauma Code: Heroes on Call
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.