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Lee Seung-yeop (b. 1971)

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Alias:
이승엽

Born:
September 22, 1971

Additional information:

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Film Production

Original Music Composer:
2012  26 Years

Sound:
2007  Voices
2012  26 Years
2021  In Front of Your Face

Sound Designer:
2004  A Family
2007  Voices
2012  26 Years
2021  In Front of Your Face

Sound Editor:
2002  Oasis
2003  Memories of Murder
2004  A Family
2007  Voices
2012  26 Years
2021  In Front of Your Face

Sound Mixer:
2002  Oasis
2003  Memories of Murder
2004  A Family
2007  Voices
2011  Sunny
2012  26 Years
2021  In Front of Your Face

Sound Supervisor:
2002  Oasis
2003  Memories of Murder
2004  A Family
2007  Voices
2011  Sunny
2012  26 Years
2012  Pieta
2012  Traffickers
2013  Friend: The Great Legacy
2013  Hope
2014  For the Emperor
2014  The Divine Move
2014  The Pirates
2015  The Classified File
2015  The Long Way Home
2016  Bungaeman
2016  Familyhood
2016  Remember You
2016  Where am I?: Beyond Girl and Woman
2017  Ordinary Person
2017  The Chase
2017  The King's Case Note
2018  Stand by Me
2018  The Negotiation
2018  The Vanished
2018  The Witness
2018  Unstoppable
2018  What a Man Wants
2019  A Dog's Courage
2019  Metamorphosis
2019  Miss & Mrs. Cops
2019  Race to Freedom: Um Bok-dong
2019  Scent of a Ghost
2020  The Cursed Lesson
2020  The Day I Died: Unclosed Case
2020  The Golden Holiday
2020  Time to Hunt
2021  In Front of Your Face
2021  The 8th Night
2021  Three Sisters
2022  Confession
2022  Cyber Hell: Exposing an Internet Horror
2022  Ditto
2022  Gentleman
2022  In Our Prime
2022  The Pirates: The Last Royal Treasure
2022  The Policeman's Lineage
2024  One Win

Click the heading above to show or hide the list.

TV Production

Sound Mixer:
2025  The Trauma Code: Heroes on Call

Sound Supervisor:
2020  Sweet Home
2021  D.P.
2022  Bargain
2025  The Trauma Code: Heroes on Call

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.