A work in constant progress (and occasional regress).
Born:
January 25, 1974
Steven Jay Schneider (born January 25, 1974) is an American film producer, author, and critic. He has been involved in several film franchises, including Paranormal Activity and Insidious, and the films Split (2016), Glass (2019), and Knock at the Cabin (2023). He is the founder of Room 101 and co-founded Spooky Pictures with producer Roy Lee.
Co-Executive Producer:
2008 100 Feet
Executive Producer:
2007 Paranormal Activity
2008 100 Feet
2010 Paranormal Activity 2
2010 Phase 7
2011 The FP
2012 Paranormal Activity 4
2012 Paranormal Activity: The Chronology
2012 The Devil Inside
2012 The Tall Man
2013 Insidious: Chapter 2
2013 Pawn Shop Chronicles
2013 The Lords of Salem
2014 Flight 7500
2014 Paranormal Activity: The Marked Ones
2015 Area 51
2015 Estranged
2015 Exeter
2015 Insidious: Chapter 3
2015 Paranormal Activity: The Ghost Dimension
2015 The Unspoken
2015 The Visit
2015 Visions
2017 Split
2018 Delirium
2018 Insidious: The Last Key
2019 Glass
2020 His House
2021 Old
2021 Paranormal Activity: Next of Kin
2023 Insidious: The Red Door
2023 Knock at the Cabin
2024 Dead Mail
2024 Trap
2024 V/H/S/Beyond
2025 Please Don't Feed the Children
2025 Silent Night, Deadly Night
2026 Insidious: The Bleeding World
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???? Send a Scare
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Producer:
2007 Paranormal Activity
2008 100 Feet
2010 Paranormal Activity 2
2010 Phase 7
2011 Insidious
2011 Paranormal Activity 3
2011 The FP
2012 Paranormal Activity 4
2012 Paranormal Activity: The Chronology
2012 The Bay
2012 The Devil Inside
2012 The Tall Man
2013 Insidious: Chapter 2
2013 Pawn Shop Chronicles
2013 Sx_Tape
2013 The Lords of Salem
2013 Wer
2014 Acid Girls
2014 Cooties
2014 Flight 7500
2014 Haunt
2014 Paranormal Activity: The Marked Ones
2014 The Houses October Built
2015 Area 51
2015 Estranged
2015 Exeter
2015 Insidious: Chapter 3
2015 Intruders
2015 Lady of Csejte
2015 Paranormal Activity: The Ghost Dimension
2015 The Unspoken
2015 The Visit
2015 Visions
2016 Blair Witch
2016 The Worthy
2017 Split
2017 The Houses October Built 2
2017 The Tank
2018 Delirium
2018 Insidious: The Last Key
2018 Mara
2019 Glass
2019 Pet Sematary
2020 His House
2021 Masquerade
2021 Old
2021 Paranormal Activity: Next of Kin
2022 Watcher
2023 Insidious: The Red Door
2023 Knock at the Cabin
2024 Dead Mail
2024 Desert Road
2024 Ick
2024 Late Night with the Devil
2024 Strange Darling
2024 Trap
2024 V/H/S/Beyond
2025 Please Don't Feed the Children
2025 Silent Night, Deadly Night
2025 The Long Walk
2025 The Plague
2025 The Vile
2026 Insidious: The Bleeding World
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???? Hokum
???? I Pretended to Be a Missing Girl
???? Isochronic
???? Malibu
???? Menace
???? My One and Only
???? Send a Scare
???? Subscriber
???? Switchboard
???? The Hawkline Monster
???? The Shepherd
???? Violence
???? Watchful Eye
???? Within
Executive Producer:
2012 The River
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.