A work in constant progress (and occasional regress).
Release Date:
April 18, 2013
Original Title:
The Lords of Salem
Alternate Titles:
I archodes tou Salem
Les Seigneurs de Salem
Los señores de Salem
Genres:
Horror | Thriller
Production Companies:
Alliance Films
Haunted Movies
IM Global
Production Countries:
Canada | United States of America
Ratings / Certifications:
BR: 18 CA: R DE: 16 DK: 15 ES: 16 GB: 18 IT: 18+ JP: R15+ RU: 18+ SE: 15 US: R
Runtime: 101
Heidi, a radio DJ, is sent a box containing a record - a "gift from the Lords". The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
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Associate Producer:
Jessica Malanaphy
Jeanette Volturno
Bailey Conway
Sarah Martin
Rick Osako
Casting:
Monika Mikkelsen
Co-Producer:
Jeremy Platt
Costume Design:
Leah Butler
Director:
Rob Zombie
Director of Photography:
Brandon Trost
Editor:
Glenn Garland
Executive Producer:
Brian Kavanaugh-Jones
Steven Schneider
Location Manager:
Murray Miller
Location Scout:
David Thornsberry
Makeup Department Head:
Michelle Chung
Music Supervisor:
Tom Rowland
Original Music Composer:
John 5
Griffin Boice
Post Production Supervisor:
Tony Roman
Jamey Pryde
Producer:
Rob Zombie
Jason Blum
Oren Peli
Andy Gould
Production Coordinator:
Laura Altmann
Production Design:
Jennifer Spence
Production Supervisor:
Laura Altmann
Script Supervisor:
Renetta G. Amador
Set Decoration:
Lori Mazuer
Sound Designer:
Ryan Gegenheimer
Sound Effects Editor:
Sergio R. Rocha
Sound Re-Recording Mixer:
Eric Lalicata
Special Effects Makeup Artist:
Brian Rae
Jared Guenther
A.J. Venuto
Wayne Toth
Chris Zega
Stunt Double:
Lesley Aletter
Stunts:
Cole S. McKay
Dana Dru Evenson
Supervising Sound Editor:
Eric Lalicata
Unit Production Manager:
Rick Osako
Visual Effects Supervisor:
Craig A. Mumma
Writer:
Rob Zombie
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.