A work in constant progress (and occasional regress).
Release Date:
July 21, 2021
Original Title:
Old
Alternate Titles:
Anormal
OLD
Tempo
Tempo (M. Night Shyamalan)
Tempo 2021
Tempo M. Night Shyamalan
Velho M. Night Shyamalan
Velho Tempo
Velho Tempo M. Night Shyamalan
Viejos
Viejos M. Night Shyamalan
Čas
Старое
โอลด์
올드
Genres:
Horror | Mystery | Thriller
Production Companies:
Blinding Edge Pictures
Perfect World Pictures
Universal Pictures
Production Countries:
China | Japan | United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 14 CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 16 FI: K-16 FR: 12 GB: 15 GR: Κ-15 HU: 16 IE: 16 IL: 14+ IT: T KR: 12 LU: 16 NL: 16 NO: 15 NZ: M PL: 16 RO: 15 RU: 16+ SE: 15 SG: PG13 SK: 15 TR: 16+ US: PG-13
Runtime: 108
A group of families on a tropical holiday discover that the secluded beach where they are staying is somehow causing them to age rapidly – reducing their entire lives into a single day.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Benjamin Verhulst
Nick Müller
ADR Recordist:
Vinny Alfano
Art Direction:
Wilhem Perez
Assistant Art Director:
Pamela Delgado
Ico Abreu
Assistant Property Master:
Jefry Shebroe
Assistant Set Decoration:
Maria Laura Vasquez
Jeno Delli Colli
Boom Operator:
Kate Jesse
Casting:
Douglas Aibel
Co-Producer:
Catherine Wolf McGrath
Construction Coordinator:
Sebastián Romero Cruz
Costume Design:
Caroline Duncan
Director:
M. Night Shyamalan
Director of Photography:
Mike Gioulakis
Editor:
Brett M. Reed
Executive Producer:
Steven Schneider
First Assistant "A" Camera:
Darin Necessary
Joe Martinez
First Assistant "B" Camera:
Jacqueline Stahl
First Assistant "C" Camera:
Maurizio Dotto
Julian Vergara
First Assistant Director:
Tudor Jones
Foley Artist:
Goro Koyama
Foley Recordist:
Davi Aquino
Foley Supervisor:
Igor Nikolic
Graphic Designer:
Nathan Carlson
Graphic Novel:
Pierre Oscar Lévy
Frédérik Peeters
Makeup Department Head:
Cristina Waltz
Makeup Effects Designer:
Tony Gardner
Music Supervisor:
Susan Jacobs
Original Music Composer:
Trevor Gureckis
Producer:
M. Night Shyamalan
Ashwin Rajan
Marc Bienstock
Production Design:
Naaman Marshall
Property Master:
Robbie Duncan
Props:
Paul Healy
Screenplay:
M. Night Shyamalan
Second Assistant "A" Camera:
VanNessa Manlunas
Second Assistant "B" Camera:
Blake Hooks
Second Assistant "C" Camera:
La Mur Joan Lopez Viera
Second Assistant Director:
Darrin Brown
Second Unit Director:
Ishana Night Shyamalan
Second Unit Director of Photography:
Francisco Adolfo Valdez
Set Costumer:
Cindy Ramirez
Wilson Paulino
Palma Ruiz
Set Decoration:
Karen Frick
Set Designer:
Gloria Isabel Gomez
Tommy Rodriguez
Ivanna Bolonotto
Set Dresser:
Antonio Jimenez Offrer
Jose Ramirez Sanchez
Sound Designer:
Sean Garnhart
Sound Editor:
Rich Bologna
Deonte Fly Deezy Chambers
Sound Effects Editor:
Chris Chae
Sound Mixer:
Matthew Nicolay
Sound Re-Recording Mixer:
Sean Garnhart
Skip Lievsay
Sound Recordist:
Prince Anselm
Special Effects Makeup Artist:
Katie Middleton
Stunt Coordinator:
Manny Siverio
Stunt Double:
Alexa Marcigliano
Supervising Sound Editor:
Sean Garnhart
Title Designer:
Aaron Becker
Joseph Ahn
Underwater Camera:
Ian Seabrook
Underwater Director of Photography:
Ian Seabrook
Unit Production Manager:
Marc Bienstock
VFX Artist:
Lahiru Jay
Visual Effects:
Emily Austin Griswold
Visual Effects Editor:
John Dimare
Stephanie Weaver
Visual Effects Producer:
Jennifer Wessner
Jeremy Beadell
Visual Effects Supervisor:
Lance Ranzer
Jiwoong Kim
Craig Crawford
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.