Nathalie Moliavko-Visotzky (b. 1953)

Alias:
Natalie Moliavko Visotsky
Nathalie M. Visotzky
Nathalie Moliavko-Visostsky

Birthplace:
Sydney, Australia

Born:
May 18, 1953

Additional information:

The Search Form


"A" Camera Operator:
2001  Heist

"B" Camera Operator:
2001  Heist
2001  The Score

Cinematography:
1992  A Sleeping Tree Dreams of Its Roots
2001  Heist
2001  The Score
2007  Super Phoenix
????  La Ruse

Director of Photography:
1992  A Sleeping Tree Dreams of Its Roots
2000  The Three Madeleines
2001  Heist
2001  The Score
2006  From My Window, Without a Home
2007  Super Phoenix
2008  Martyrs
2008  Waitresses Wanted
2009  Detour
2010  The Kate Logan Affair
2013  1st Love
2014  An Eye for Beauty
2015  Ego Trip
2016  Amaretto Sour
2018  Ziva Postec: The Editor Behind the Film Shoah
2019  Apapacho: A Caress for the Soul
2019  Forgotten Flowers
2019  Lorraine Pintal - So The Light Never Dies
2021  Les fils
2021  One of a Kind Love
2021  The Sticky Side of Baklava
2022  Pink Lake
2024  Ababooned
2024  On Earth as in Heaven
????  La Ruse

Focus Puller:
1988  Pin
1992  A Sleeping Tree Dreams of Its Roots
2000  The Three Madeleines
2001  Heist
2001  The Score
2006  From My Window, Without a Home
2007  Super Phoenix
2008  Martyrs
2008  Waitresses Wanted
2009  Detour
2010  The Kate Logan Affair
2013  1st Love
2014  An Eye for Beauty
2015  Ego Trip
2016  Amaretto Sour
2018  Ziva Postec: The Editor Behind the Film Shoah
2019  Apapacho: A Caress for the Soul
2019  Forgotten Flowers
2019  Lorraine Pintal - So The Light Never Dies
2021  Les fils
2021  One of a Kind Love
2021  The Sticky Side of Baklava
2022  Pink Lake
2024  Ababooned
2024  On Earth as in Heaven
????  La Ruse

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.