A work in constant progress (and occasional regress).
Release Date:
April 28, 2021
Original Title:
One of a Kind Love
Genres:
Romance | TV Movie
Production Companies:
Incendo Productions
Production Countries:
Canada
Ratings / Certifications:
CA: G
Runtime: 85
Kyra's dreams of being a jeweler have been put on the back burner, as her demanding job at the Sawyer Country Club is her priority. When a vacant shop becomes available in town, Kyra sees an opportunity to put a plan into action, until she learns that there’s another renter interested in the space. Enter Aiden Sawyer, prodigal son, big-city business magnate and Kyra’s childhood nemesis, returning home to the country club his parents own.
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ADR Editor:
Natalie Fleurant
ADR Recordist:
Ilyaa Ghafouri
David Drage
ADR Supervisor:
Natalie Fleurant
Paul Talbott
Additional Third Assistant Director:
Lisa Diallo
Tanya van Blokland
Art Department Assistant:
Angie Marquis
Art Department Coordinator:
Isabelle Létourneau
Assistant Accountant:
Mélanie Dallaire
Karoline Morin
Assistant Editor:
Veronique Choquette
Andreanne Cousineau
Assistant Location Manager:
Anita Bensabat
Caroline Francoeur
Bruno Lemire
Isabelle Plourde
Assistant Sound Editor:
Alexis Pilon-Gladu
Assistant Unit Manager:
Sacha LaPierre
Associate Producer:
Samantha Ellison
Best Boy Electric:
Nicholas Hohn
Best Boy Grip:
Carlo Secchiaroli
Christian Picone
Boom Operator:
Louis Dutil
Camera Trainee:
Claire Guichon
Casting:
Jenny Lewis
Sara Kay
Bruno Rosato
Casting Associate:
Kalene Osborne
Colorist:
Marc Lussier
Costume Coordinator:
Marilène Duchesne
Costume Designer:
Anie Fisette
Costumer:
Marianne Roy
Naomie Caron
Melanie Bourgault
Christine Doyle
Craft Service:
Jonathan Sommerville
Decorator:
Marie-Ève Bolduc
Lucie Thibault
Andreanne Varennes
Dialogue Editor:
Valéry Dufort-Boucher
Director:
Philippe Lupien
Director of Photography:
Nathalie Moliavko-Visotzky
Editor:
Michel Grou
Executive Producer:
Jean Bureau
Ian Whitehead
Extras Casting:
Kathleen Côté
First Assistant Accountant:
Erin Dance
First Assistant Camera:
Isabelle Pépin
Martin Lebel
First Assistant Director:
Gabriel Teller
Robbie Ditchburn
Mélany Goudreau
Foley:
Maya Kuroki
Foley Artist:
Simon Meilleur
Foley Recording Engineer:
Daniel Bisson
Raphaël Paré
Gaffer:
Alex Amyot
Generator Operator:
Yves Ouimet
Graphic Designer:
Maurice Roy
Grip:
Andrey Chimkovitch
Patrice Lapointe
Christian Sauvageau
Joost Clerinx
Hairdresser:
Colette Martel
Kaitlyn Craibe
Key Costumer:
Louis Robert Raymond
Lison Dagnault
Key Grip:
Jean-François Sauvageau
Key Hairdresser:
Sabin Paradis
Key Makeup Artist:
Melissa Purino
Lead Painter:
Nathalie Brassard
Lighting Technician:
Charles Proulx
Jean-Martin Landry
Zenab Jaber
Francois Alarie
Frederic Moreau
Frederic Nivoix
Myriam Pineault
Location Manager:
Pierre Mongrain
Makeup Artist:
Chanelle Ouellette
Catherine Laniel
Nathalie Trépanier
Online Editor:
Eric Losier
Original Music Composer:
Michel Corriveau
Post Production Coordinator:
Claire Laboureau
Post Production Supervisor:
Nicole Harvey
Producer:
Kaleigh Kavanagh
Production Accountant:
Desmond Kennedy
Production Design:
Lyne Chénier
Production Manager:
Simon-Pier Bélanger
Script Supervisor:
Louise Theriault
Emilie Dion-Allard
Second Assistant Camera:
Natacha LeMay
Camille Baduraux
Second Assistant Director:
Jonathan Jean-Pierre
Set Runner:
Fanny Milot Lemoine
Sound Effects Editor:
Raymond Legault
Sound Mixer:
Aurélien Salvy
Steadicam Operator:
Hugo Longtin
Still Photographer:
Bertrand Calmeau
Supervising Sound Editor:
Michel B. Bordeleau
Third Assistant Director:
Alexandra Laniel
Unit Manager:
Benjamin Sales
Visual Effects Coordinator:
Noémie Jacques
Visual Effects Supervisor:
François Trudel
Wardrobe Master:
Ginny Moses
Micheline Cossette
Audrey Chikhani
Writer:
Barbara Kymlicka
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.