Mark Shostrom (b. 1956)

Birthplace:
Hong Kong, China

Born:
May 13, 1956

Mark Shostrom is a Hong Kong-born American special makeup effects artist for the film industry. He is the winner of three Emmy Awards (out of four nominations).

Additional information:

The Search Form


Creature Effects Technical Director:
1989  DeepStar Six

Makeup Artist:
1986  Alien Predators
1989  DeepStar Six
1998  Out of Sight

Makeup Department Head:
1986  Alien Predators
1989  DeepStar Six
1997  The Devil's Advocate
1998  Out of Sight

Makeup Effects:
1983  Deadly Force
1985  The Mutilator
1986  Alien Predators
1986  From Beyond
1986  The Boys Next Door
1987  Evil Dead II
1989  DeepStar Six
1990  Shadowzone
1997  The Devil's Advocate
1998  Out of Sight

Makeup Supervisor:
1983  Deadly Force
1985  The Mutilator
1986  Alien Predators
1986  From Beyond
1986  The Boys Next Door
1987  Evil Dead II
1989  DeepStar Six
1990  Shadowzone
1997  The Devil's Advocate
1998  Out of Sight

Special Effects:
1982  The Black Room
1983  Deadly Force
1985  The Mutilator
1986  Alien Predators
1986  From Beyond
1986  The Boys Next Door
1987  Evil Dead II
1989  DeepStar Six
1990  Shadowzone
1997  The Devil's Advocate
1998  Out of Sight

Special Effects Makeup Artist:
1980  To All a Goodnight
1982  Forbidden World
1982  The Black Room
1982  The Slumber Party Massacre
1982  The Sword and the Sorcerer
1983  Deadly Force
1983  Videodrome
1984  Tightrope
1985  The Mutilator
1986  Alien Predators
1986  From Beyond
1986  Savage Dawn
1986  The Boys Next Door
1986  The Supernaturals
1987  Evil Dead II
1989  DeepStar Six
1990  Shadowzone
1992  Netherworld
1997  The Devil's Advocate
1998  Out of Sight
2005  Cruel World

Director:
1988  Monsters

Executive Producer:
1988  Monsters
2021  Behind the Monsters

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.