A work in constant progress (and occasional regress).
Birthplace:
Hong Kong, China
Born:
May 13, 1956
Mark Shostrom is a Hong Kong-born American special makeup effects artist for the film industry. He is the winner of three Emmy Awards (out of four nominations).
Creature Effects Technical Director:
1989 DeepStar Six
Makeup Artist:
1986 Alien Predators
1989 DeepStar Six
1998 Out of Sight
Makeup Department Head:
1986 Alien Predators
1989 DeepStar Six
1997 The Devil's Advocate
1998 Out of Sight
Makeup Effects:
1983 Deadly Force
1985 The Mutilator
1986 Alien Predators
1986 From Beyond
1986 The Boys Next Door
1987 Evil Dead II
1989 DeepStar Six
1990 Shadowzone
1997 The Devil's Advocate
1998 Out of Sight
Makeup Supervisor:
1983 Deadly Force
1985 The Mutilator
1986 Alien Predators
1986 From Beyond
1986 The Boys Next Door
1987 Evil Dead II
1989 DeepStar Six
1990 Shadowzone
1997 The Devil's Advocate
1998 Out of Sight
Special Effects:
1982 The Black Room
1983 Deadly Force
1985 The Mutilator
1986 Alien Predators
1986 From Beyond
1986 The Boys Next Door
1987 Evil Dead II
1989 DeepStar Six
1990 Shadowzone
1997 The Devil's Advocate
1998 Out of Sight
Special Effects Makeup Artist:
1980 To All a Goodnight
1982 Forbidden World
1982 The Black Room
1982 The Slumber Party Massacre
1982 The Sword and the Sorcerer
1983 Deadly Force
1983 Videodrome
1984 Tightrope
1985 The Mutilator
1986 Alien Predators
1986 From Beyond
1986 Savage Dawn
1986 The Boys Next Door
1986 The Supernaturals
1987 Evil Dead II
1989 DeepStar Six
1990 Shadowzone
1992 Netherworld
1997 The Devil's Advocate
1998 Out of Sight
2005 Cruel World
Director:
1988 Monsters
Executive Producer:
1988 Monsters
2021 Behind the Monsters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.