A work in constant progress (and occasional regress).
Release Date:
September 1, 2005
Original Title:
Cruel World
Alternate Titles:
I alitheia skotonei
Жестокий мир
Genres:
Comedy | Horror | Thriller
Production Companies:
Emergence Entertainment
Primetime Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 88
Following his dismissal from a television reality show, a deranged young man lures a group of beautiful coeds to his abode by telling them they will be the stars of a new show he is creating. What the women do not know is that when they lose their slot on the show, they lose their lives as well.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Clinton Dougherty
ADR Editor:
Donald Lyles
ADR Mixer:
Karma Barber
Donald Lyles
Additional Editing:
Debra Goldfield
Assistant Accountant:
Carl Goodwin
Assistant Hairstylist:
Sheila Trujillo
Vanessa Jaramillo
Assistant Makeup Artist:
Sheila Trujillo
Vanessa Jaramillo
Assistant Production Coordinator:
Stephen Bloch
Assistant Property Master:
John Hunt
Assistant Sound Editor:
Linda Landridge
Associate Producer:
Cortney Haile
Best Boy Electric:
Myke Groves
Best Boy Grip:
Mark Anderson
Boom Operator:
Dante Cardone
Camera Loader:
Chris Flurry
Sam Mares
Camera Operator:
George Stephenson
Neil Roach
Casting:
Shannon Makhanian
Co-Executive Producer:
Andrew Keegan
Co-Producer:
Gary Raskin
Jason Fandrich
Justin Bursch
Color Timer:
Bob Fredrickson
Construction Coordinator:
Ryan Cowles
Costume Assistant:
Brooke Pfaff
Heather Shimokawa
Costume Design:
Robyn Goldberg
Dialogue Editor:
Jeremy Grody
Director:
Kelsey T. Howard
Director of Photography:
Ward Russell
Dolby Consultant:
Bryan Pennington
Dolly Grip:
Dan Nordquist
Editor:
Andrew Cohen
Electrician:
Theodore Y. Bott
Lee Nakagawa
Louis Nelson
John Stearns
Executive Producer:
Mark Kratter
Nick Maniatis
Len Evans
Milton Kim
Paul Lawrence
Chris Smith
Ed Hansen
First Assistant "A" Camera:
Marc Brown
Kevin McGill
First Assistant "B" Camera:
Steve Banister
Tammy Fouts
First Assistant Director:
Jonathan Giles Zimmerman
Foley Artist:
Karma Barber
Todd Raines
Foley Mixer:
Donald Lyles
Shannon Potter
Gaffer:
Steven Litecky
Walter Bethel
Grip:
David Jaxx Nagro
David Cummings
Jeff Bettis
Trevor Howe
Brian Shaffer
Colin Zaug
Hair Department Head:
Gretchen Bright
Key Grip:
Michael Warren
Neil MacLean
Key Hair Stylist:
Polly A. Powers
Key Makeup Artist:
Polly A. Powers
Line Producer:
Tosca Musk
Daniel Schneider
Location Manager:
Christian Diaz de Bedoya
Makeup Department Head:
Gretchen Bright
Music Supervisor:
Joe Rudge
Negative Cutter:
Chris Weber
Gary Weber
Original Music Composer:
Danny Saber
Post Production Supervisor:
Nancy Hirami
Producer:
Kelsey T. Howard
Todd Nealey
Tim Wesley
Production Accountant:
Todd Grove
Production Coordinator:
Lynette Therrien
Production Design:
Mark Alan Duran
Production Sound Mixer:
Bayard Carey
Property Master:
Jason Davis
Propmaker:
John P. Fegan
Script Supervisor:
Mamie Mitchell
Mark S. Thomas
Second Assistant Camera:
Beau Chaput
Second Assistant Director:
Brian Rosett
Set Decoration:
Mark Hansen
Set Dresser:
Ben Lowney
Robbie Mueller
Lise Landeau
Sound Designer:
George Nemzer
Sound Effects Editor:
Scott Wesley
Chris Cain
Sound Mixer:
Greg Clark
Sound Re-Recording Mixer:
Stanley Kastner
Donald Lyles
Sound Supervisor:
Clancy T. Troutman
Special Effects Makeup Artist:
Mark Shostrom
Misook Koo
Still Photographer:
Neil Jacobs
Stunt Coordinator:
Michael Owen
Stunt Double:
Boni Yanagisawa
Justin Bursch
Transportation Coordinator:
William Getzwiller
Unit Production Manager:
Tosca Musk
Wardrobe Master:
John Deering
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.