A work in constant progress (and occasional regress).
Release Date:
April 1, 1982
Original Title:
The Sword and the Sorcerer
Alternate Titles:
A Espada e o Feiticeiro
A Espada e os Bárbaros
Barbarlar
Cromwell, el rey de los bárbaros
De wraak der Barbaren
Det grymma svärdet
Julma miekka
L'épée sauvage
La espada y el hechicero
La spada a tre lame
Meč a čaroděj
Miecz i czarnoksieznik
Oi Varvaroi
Sværdet og troldmanden
Talen kardja - Harc a mágia ellen
Talon im Kampf gegen das Imperium
Οι Βάρβαροι
Меч і чаклун
Genres:
Action | Adventure | Fantasy | Horror
Production Companies:
Sorcerer Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 GB: 18 US: R
Runtime: 100
A mercenary with a three-bladed sword rediscovers his royal heritage when he is recruited to help a princess foil a brutal tyrant and a powerful sorcerer's plans to conquer the land.
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Additional Photography:
Gary Graver
Art Direction:
George Costello
Associate Producer:
Michael Kelly
Kenneth Yates
Gerald T. Olson
Casting:
Al Onorato
Jerold Franks
Co-Producer:
John V. Stuckmeyer
Tom Karnowski
Costume Designer:
Christine Boyar
Director:
Albert Pyun
Director of Photography:
Joseph Mangine
Editor:
Marshall Harvey
Executive Producer:
Robert S. Bremson
First Assistant Director:
John Ross Bush
Gaffer:
Kevin Brennan
Hair Designer:
Anthony Esposito
Hairstylist:
Ronald W. Smith
Location Manager:
Mark Tarnawsky
Makeup Department Head:
Ve Neill
Original Music Composer:
David Whitaker
Producer:
Mark L. Rosen
John V. Stuckmeyer
Brandon Chase
Marianne Chase
Production Coordinator:
Terri Martin
Production Manager:
John V. Stuckmeyer
Tom Karnowski
Production Sound Mixer:
Don Sanders
Rigging Gaffer:
Robert K. Feldmann
Screenplay:
John V. Stuckmeyer
Albert Pyun
Tom Karnowski
Script Supervisor:
Brenda Weisman
Second Assistant Director:
Brenda Haverstock
Second Unit Director:
Marshall Harvey
Richard Washington
Set Decoration:
Maria Caso
Sound Designer:
Sandy Berman
Sound Effects Editor:
Sherri Bayer
Joseph Holsen
Sound Re-Recording Mixer:
Michael Minkler
Bob Minkler
Sound Supervisor:
Graham Harris
Special Effects:
John Carter
Terry Woolman
Special Effects Makeup Artist:
Greg Cannom
Francisco X. Pérez
Douglas J. White
Allan A. Apone
Mark Shostrom
Special Effects Supervisor:
John Carter
Still Photographer:
Patrick Prince
Stunt Coordinator:
Richard Washington
Stunts:
Kenny Endoso
Simone Boisseree
Chris Howell
Steven Lambert
Greg Wayne Elam
Bob Bralver
Bennie E. Dobbins
Denise Cheshire
Michael Adams
Phil Chong
Ralph Garrett
Harold Jones
Walter Robles
Clifford Strong
Jesse Wayne
Hank Calia
Bob Harris
Melvin Jones
Mike Johnson
Bill McIntosh
Regis Parton
Richard E. Butler
Kym Washington Longino
Bob Minor
Bruce Paul Barbour
Ted Duncan
David S. Cass Sr.
Alex Brown
Fred Brookfield
Christopher Doyle
Chuck Hicks
George Robotham
Bob Yerkes
Brandon Pender
John Cade
Tom Morga
Bennie Moore
Larry Randall
Ernest Robinson
Ted Grossman
Mario Roberts
Dean Raphael Ferrandini
Joe Stone
John Ashby
Mike Tillman
Michael M. Vendrell
David Cadiente
Norman Blankenship
Michael Cassidy
Vince Deadrick Jr.
Fred Scheiwiller
Diamond Farnsworth
Ron Oliney
Marvin Walters
Alex Sharp
George P. Wilbur
Bill M. Ryusaki
Greg Walker
John Sherrod
Eddie Smith
Rick Sawaya
Rock A. Walker
Chuck Waters
Mark Yerkes
Jack Tyree
Dick Durock
Paul Stader
Dick Geary
Andy Epper
Tony Epper
Henry Kingi
Eddie Hice
Fred Lerner
Gerald Okamura
Mary Peters
Jeannie Epper
Julius LeFlore
Peter Stader
Larry Holt
Nick Dimitri
Buddy Van Horn
Loren Janes
Jophery C. Brown
Troy Melton
Bob Herron
Third Assistant Director:
Lisa C. Cook
Unit Production Manager:
Allen Alsobrook
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.