A work in constant progress (and occasional regress).
Release Date:
November 7, 2019
Original Title:
Margaret Atwood: A Word After a Word After a Word Is Power
Alternate Titles:
Atwood: Sõna pärast sõna pärast sõna on võim
Het Uur van de Wolf: Margaret Atwood
Margaret Atwood: De kracht van het woord
Margaret Atwood: Encounters
Margaret Atwood: Sanojen voima
Margaret Atwood: a szavak ereje
Margaret Atwood: las palabras y el poder
Margaret Atwood: ord, efter ord, efter ord, det är makt
Margaret Atwood: ordens makt
Margaret Atwood: una palabra, tras otra, tras otra, es poder
Genres:
Documentary
Production Companies:
CBC
Documentary Channel
Ontario Creates
Téléfilm Canada
White Pine Pictures
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 94
The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?
Animation Director:
Charlie Shekter
Assistant Editor:
Chrissy Papaioannou
Colorist:
Arlene Moelker
Director:
Nancy Lang
Peter Raymont
Director of Photography:
John Westheuser
Editor:
Cathy Gulkin
Kathryn Lyons
Executive Producer:
Peter Pearson
Steve Ord
In Memory Of:
Graeme Gibson
Line Producer:
Connie Littlefield
Original Music Composer:
Todor Kobakov
Post Production Supervisor:
Philip Wilson
Producer:
Nancy Lang
Peter Raymont
Production Supervisor:
Stephen Paniccia
Researcher:
Kathie McKenna
Nancy Lang
Connie Littlefield
Isabelle Foisy
Michelle Demeyere
Sound:
Jane Tattersall
Sue Conley
Sound Re-Recording Mixer:
Lou Solakofski
Jesse Fellows
Sound Recordist:
Peter Sawade
Still Photographer:
Peter Bregg
George Pimentel
Writer:
Nancy Lang
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.