A work in constant progress (and occasional regress).
Birthplace:
USA
Ben Smithard, B.S.C., is a British cinematographer known for his work on period pieces, such as the films The Damned United (2009), My Week with Marilyn (2011), Goodbye Christopher Robin, The Man Who Invented Christmas (both 2017), Blinded by the Light and Downton Abbey (both 2019). In television, Smithard served as cinematographer on the 2007 BBC One series Cranford (2007). He returned for the subsequent series Return to Cranford in 2009, for which he won a Primetime Emmy Award for Outstanding Cinematography. In 2012, Smithard received a nomination for Best Cinematography in a Television Drama by the British Society of Cinematographers for his work on the "Henry IV, Part I" and "Henry IV, Part II" episodes of the BBC Two series The Hollow Crown.
"A" Camera Operator:
2019 Blinded by the Light
2019 Downton Abbey
Camera Operator:
2017 Viceroy's House
2019 Blinded by the Light
2019 Downton Abbey
2020 The Father
Cinematography:
2006 The Queen of Sheba
2017 Viceroy's House
2019 Blinded by the Light
2019 Downton Abbey
2020 The Father
Director of Photography:
2006 Glastonbury
2006 The Queen of Sheba
2009 Freefall
2009 The Damned United
2011 My Week with Marilyn
2011 The Trip
2012 I, Anna
2013 Alan Partridge: Alpha Papa
2013 Belle
2015 Roald Dahl's Esio Trot
2015 The Dresser
2015 The Second Best Exotic Marigold Hotel
2017 Diana and I
2017 Goodbye Christopher Robin
2017 The Man Who Invented Christmas
2017 Viceroy's House
2018 King Lear
2019 Blinded by the Light
2019 Downton Abbey
2020 The Father
2022 The Bubble
2022 The Son
2023 Allelujah
2023 Freud's Last Session
2024 Lonely Planet
Director of Photography:
2002 Spooks
2007 Cranford
2009 The Day of the Triffids
2012 True Love
2021 The Nevers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.