A work in constant progress (and occasional regress).
Release Date:
December 23, 2020
Original Title:
The Father
Alternate Titles:
Otec
ความทรงจำ ความรัก ความลืม
父亲
爸爸可否不要老
老父
더 파더
Genres:
Drama
Production Companies:
Ciné+
Ciné-@
Embankment Films
F Comme Film
Film4 Productions
Les Films du Cru
Orange Studio
Simon Friend Entertainment
Trademark Films
Production Countries:
France | United Kingdom
Ratings / Certifications:
AU: M BE: 12 BR: 14 CH: 16|12 CZ: 15+ DE: 6 DK: 15 ES: 7 FR: TP GB: 12A GR: Κ-12 HK: IIA IE: 12A KR: 12 LT: N-13 LU: 12 MX: B NL: 9 NO: 9 NZ: M PL: 12 PT: M/12 RU: 16+ SE: 11 SG: PG13 TR: 10+ UA: 12+ US: PG-13
Runtime: 97
A man refuses all assistance from his daughter as he ages and, as he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
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ADR Mixer:
Vincent Verdoux
ADR Supervisor:
Margot Saada
Accountant:
Maxine Stanley
Art Department Assistant:
Katie Dadswell
Art Direction:
Amanda Dazely
Assistant Accountant:
Anchal Clarke
Assistant Costume Designer:
Elle Wilson
Assistant Editor:
Clémence Le Brun
Assistant Grip:
Alfie Sankey-Green
Assistant Location Manager:
Julian Bivol
Assistant Production Coordinator:
Emmanuelle Stannard
Assistant Sound Editor:
Guido Lerner
Aloyse Launay
Associate Producer:
Cleone Clarke
Best Boy Electric:
Vince Madden
Andrew Duncan
Warren Ewen
Camera Operator:
Ben Smithard
Camera Trainee:
Rosamund Freeman
Co-Producer:
Alice Dawson
Construction Manager:
Warren Lever
Costume Designer:
Anna Mary Scott Robbins
Digital Imaging Technician:
Alan Robert Hopkins
Digital Intermediate Colorist:
Gareth Spensley
Digital Intermediate Editor:
Niels Barroin
Pierre Beautrait
Digital Intermediate Producer:
Marie Fernandes
Director:
Florian Zeller
Director of Photography:
Ben Smithard
Editor:
Yorgos Lamprinos
Electrician:
Charlie Doe
Matt O'Brien
Chris Jacques
Executive Producer:
Paul Grindey
Daniel Battsek
Lauren Dark
Ollie Madden
Hugo Grumbar
Tim Haslam
First Assistant Camera:
Jamie Phillips
First Assistant Director:
George Every
First Assistant Sound Editor:
Josh Robinson Ward
Foley Artist:
Florian Fabre
Foley Mixer:
Vincent Verdoux
Gaffer:
Michael McDermott
Graphic Designer:
Kate Trevessey
Grip:
Tony Sankey
Hair Designer:
Nadia Stacey
Hair Supervisor:
Tahira Herold
Line Producer:
Beth Timbrell
Christophe Jeauffroy
Location Assistant:
Toni Nordli
Location Manager:
Peter-Frank Dewulf
Makeup & Hair:
Anna Morena
Makeup Designer:
Nadia Stacey
Makeup Supervisor:
Tahira Herold
Music Supervisor:
Guillaume Clément
Original Music Composer:
Ludovico Einaudi
Post Production Accountant:
Matt Dalton
Post Production Supervisor:
Christine Duchier
Justine Bernal
Producer:
David Parfitt
Jean-Louis Livi
Philippe Carcassonne
Christophe Spadone
Simon Friend
Production Coordinator:
Dorothee Freytag
Production Design:
Peter Francis
Production Sound Mixer:
Will Whale
Property Master:
Adam McCreight
Props:
Kevin Day
Screenplay:
Florian Zeller
Christopher Hampton
Script Supervisor:
Susanna Lenton
Second Assistant Camera:
Scott Jamison
Second Assistant Director:
Jamie D. Allen
Set Decoration:
Cathy Featherstone
Sound Editor:
Sandy Notarianni
Sound Re-Recording Mixer:
Vincent Verdoux
Standby Art Director:
Natalie Valentine
Still Photographer:
Sean Gleason
Stunt Coordinator:
Jo McLaren
Stunts:
Oliver Gough
Supervising Art Director:
Astrid Sieben
Theatre Play:
Florian Zeller
Third Assistant Director:
Stewart Allen-Smith
Unit Publicist:
Kirsty Langsdale
Clea Tammes
Visual Effects Producer:
Céline Goriot
Audrey Fine
Visual Effects Supervisor:
Mikaël Tanguy
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.