A work in constant progress (and occasional regress).
Release Date:
November 23, 2011
Original Title:
My Week with Marilyn
Alternate Titles:
7 dienas un naktis ar Merilinu Monro
Mi semana con Marilyn
Minu nädal Marilyniga
Moj tjedan s Marilyn
Une semaine avec Marilyn
Viikko Marilynin kanssa
情迷夢露七天
Genres:
Drama | Romance
Production Companies:
BBC Film
Lipsync Productions
The Weinstein Company
Trademark Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BR: 12 CA: R CZ: 15+ DE: 6 DK: A FR: U GB: 15 GR: Κ HU: 16 IE: 15A KR: 15 MX: C NL: 12 PL: 16 RO: 15 SE: 15 US: PG-13
Runtime: 99
London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"C" Camera Operator:
Mark Milsome
Art Direction:
Mark Kebby
Associate Producer:
Cleone Clarke
Book:
Colin Clark
Casting:
Nina Gold
Deborah Aquila
Tricia Wood
Choreographer:
Kathleen Marshall
Denise Faye
Jane Gibson
Co-Executive Producer:
Colin Vaines
Co-Producer:
Mark Cooper
Conductor:
Conrad Pope
Costume Designer:
Jill Taylor
Martin Pakledinaz
Costume Supervisor:
Charlotte Sewell
Director:
Simon Curtis
Director of Photography:
Ben Smithard
Editor:
Adam Recht
Executive Producer:
Kelly Carmichael
Christine Langan
Jamie Laurenson
Bob Weinstein
Simon Curtis
Ivan Mactaggart
First Assistant Director:
Guy Heeley
Focus Puller:
Adam Coles
Foley Artist:
Paul Hanks
Ian Waggott
Gaffer:
Mark Clayton
Hair Designer:
Jenny Shircore
Key Grip:
Rupert Lloyd-Parry
Lighting Design:
Jules Fisher
Peggy Eisenhauer
Location Manager:
Jason Wheeler
Main Title Theme Composer:
Alexandre Desplat
Makeup Designer:
Jenny Shircore
Music Supervisor:
Dana Sano
Maggie Rodford
Musician:
Lang Lang
Original Music Composer:
Conrad Pope
Post Production Supervisor:
Tania Blunden
Producer:
Harvey Weinstein
David Parfitt
Production Design:
Donal Woods
Production Manager:
Sara Desmond
Property Master:
Mike Power
Screenplay:
Adrian Hodges
Script Supervisor:
Vicki Howe
Second Assistant Director:
Charlie Reed
Set Decoration:
Judy Farr
Songs:
Michelle Williams
Sound Effects Editor:
Catherine Hodgson
Alastair Sirkett
Myron Nettinga
Sound Mixer:
Richard Dyer
Sound Re-Recording Mixer:
Mike Dowson
Adam Scrivener
Special Effects Supervisor:
Mark Holt
Standby Property Master:
Kevin Day
Still Photographer:
Laurence Cendrowicz
Stunt Coordinator:
Julian Spencer
Stunt Double:
Penny Ryder
Stunts:
Belinda McGinley
Supervising Art Director:
Charmian Adams
Supervising Sound Editor:
Nick Lowe
Third Assistant Director:
Chris Foggin
Visual Effects Supervisor:
Alan Church
Sheila Wickens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.