A work in constant progress (and occasional regress).
Birthplace:
San Francisco, California, USA
Born:
February 3, 1981
James Laxton is an American cinematographer who is best known for his collaborations with filmmaker Barry Jenkins, specifically his work on Jenkins' 2016 film Moonlight, for which he won an Independent Spirit Award and received an Academy Award nomination. Laxton began at Florida State University, where he met Jenkins. They collaborated on numerous films, including the critically acclaimed 2016 film Moonlight. After graduating, Laxton entered the industry by assisting the camera department on features and shorts, including projects from directors such as David Nordstrom, David Parker, and Cole Schreiber. In childhood, Laxton accompanied his mother, a noted costume designer, to film sets. He reported being inspired by the rhythm of chaos and calm on the movie set, which played a significant role in his decision to enter the industry. Laxton's most critically acclaimed credit is the 2016 film Moonlight, directed by Barry Jenkins. The film explores themes of sexuality in a harsh urban environment. A relatively low budget of 1.5 million dollars forced Laxton to forgo equipment such as underwater camera gear and search for innovative cinematographic solutions. If Beale Street Could Talk was also a Jenkins collaboration. The film features a tragic love story set in 1970s New York City, between Clementine "Tish" Rivers (played by KiKi Layne) and wood artist Alonzo "Fonny" Hunt (played by Stephan James). The two struggle against racism, sexual harassment and assault, and a false rape accusation. The film is based on a novel by James Baldwin and uses a non-linear structure. In discussing the success of the movie, which has been described as "trading docu-realism for crafted visual poetry of the highest level," Laxton and Jenkins accredited their years-long process of conversation and collaboration. Description above from the Wikipedia article James Laxton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Photography:
2014 Nightcrawler
Camera Loader:
2008 Pig Hunt
2014 Nightcrawler
Cinematography:
2003 Little Brown Boy
2008 Pig Hunt
2011 Remigration
2013 Dealin' with Idiots
2014 Nightcrawler
2014 Rubberhead
2021 Reconnect
Director of Photography:
2003 Little Brown Boy
2003 My Josephine
2008 Pig Hunt
2009 A Young Couple
2009 Medicine for Melancholy
2010 Karma
2010 The Violent Kind
2011 Remigration
2011 The Myth of the American Sleepover
2012 California Solo
2012 For a Good Time, Call...
2012 Leave Me Like You Found Me
2012 The Murder of Hi Good
2013 Bad Milo!
2013 Dealin' with Idiots
2013 The Moment
2014 Adult World
2014 Camp X-Ray
2014 Lemonade War
2014 Nightcrawler
2014 Rubberhead
2014 Tusk
2016 Holidays
2016 Moonlight
2016 Yoga Hosers
2018 Anything
2018 If Beale Street Could Talk
2021 Los Valientes
2021 Reconnect
2021 The Gaze
2023 Another Young Couple
2024 Mufasa: The Lion King
Director of Photography:
2021 The Underground Railroad
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.