A work in constant progress (and occasional regress).
Release Date:
September 19, 2014
Original Title:
Tusk
Alternate Titles:
A Presa
Agyar
Dis
En Un Lugar de Canada
En un lugar en Canadá
Ilknis
Iltis
Kieł
Mr.タスク
Tusk
Tusk 2014
Tusk: A Transformação
Zubati
İşkence Gecesi
Χαυλιόδοντας
Бивень
Бивни
Genres:
Comedy | Horror
Production Companies:
Demarest Films
Phase 4 Films
SModcast Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
AU: MA 15+ DE: 16 ES: 16 GB: 15 HU: 18 IE: 15 JP: PG12 KR: 15 LT: N-16 MX: C NL: 18 PT: M/18 SE: 15 US: R
Runtime: 105
When his best friend and podcast co-host goes missing in the backwoods of Canada, a young guy joins forces with his friend's girlfriend to search for him.
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"A" Camera Operator:
Bo Webb
Additional Still Photographer:
Mark Fellman
Art Direction:
Michael Barton
Assistant Camera:
Monica Barrios-Smith
Assistant Hairstylist:
Heather Hawkins
Assistant Location Manager:
F. Curtis Gaston
Associate Producer:
Jordan Monsanto
Jason Mewes
Chris Parkinson
Best Boy Electric:
Ryan 'Sparks' Lynch
Best Boy Grip:
Steve A. Stephenson
Boom Operator:
Matt Fann
Camera Operator:
Nicole Lobell
Michael Otis Ropert
Chief Lighting Technician:
Dan Lewis
Construction Coordinator:
Peter Battistelli
Construction Foreman:
Ralph Woollaston
Costume Design:
Maya Lieberman
Dialogue Editor:
Darleen Stoker
Gloria D'Alessandro
Digital Intermediate Colorist:
Corinne Bogdanowicz
Digital Intermediate Producer:
Derek Eby
Director:
Kevin Smith
Director of Photography:
James Laxton
Dolly Grip:
Philip Dann
Bob Williams
Driver:
John F. Teeple
John Navarro Jr.
Editor:
Kevin Smith
Electrician:
Zak Ettlinger
Executive Producer:
Jennifer Schwalbach Smith
Nate Bolotin
Nick Spicer
Extras Casting:
Tona B. Dahlquist
Extras Casting Assistant:
T. Ryan Hill
First Assistant "A" Camera:
Alan Newcomb
Jarrod Oswald
First Assistant "B" Camera:
Stephen Andrew Cook
First Assistant Camera:
Jamie A. Marlowe
First Assistant Director:
Alisa Fredericks
Foley Artist:
Alex Ullrich
Ellen Heuer
Foley Editor:
Aran Tanchum
Foley Mixer:
Stacey Michaels
Graphic Designer:
Tiffany Apple Keenan
Grip:
Conor Daily
Jessica Hoffman
Casey Slade
Hair Department Head:
Heather Richardson
Key Grip:
Anthony Schrader
Lighting Technician:
Kahlil Fadel
Todd Luckey
Loader:
Christopher 'Kit' Marlowe
Location Manager:
Jason Allen King
Location Production Assistant:
Dieter H. Wagner
Location Scout:
Randy Byers
Makeup Department Head:
Wendy Bell
Makeup Effects:
Alan Tuskes
Music:
Christopher Drake
Original Music Composer:
Christopher Drake
Producer:
Sam Englebardt
David S. Greathouse
William D. Johnson
Shannon McIntosh
Production Design:
John D. Kretschmer
Production Supervisor:
Andrew Blau
Property Master:
Kelly Rubottom
Scoring Mixer:
Daniel Kresco
Script Supervisor:
Dan Clark
Second Assistant "A" Camera:
Zsolt P. Haraszti
Second Assistant Director:
Clint Buckner
Second Second Assistant Director:
Neal Gray
Michelle Schrauwers
Set Costumer:
Candace Kualii
Set Decoration:
Luci Wilson
Set Dresser:
Ben Brenner
Robert Lee Church
Lindsay Glick
Billyjack Jory
Sound Editor:
Joshua Aaron Johnson
Sound Effects Editor:
Peter D. Lago
John Joseph Thomas
Otis Van Osten
Sound Mixer:
Larry Long
Sound Re-Recording Mixer:
Joel Dougherty
Special Effects Makeup Artist:
David Greathouse
Still Photographer:
Kent Smith
Stunt Coordinator:
Cal Johnson
Dino Muccio
Stunts:
Jeremy Conner
Kevin Morgan
Supervising Sound Editor:
Otis Van Osten
Transportation Coordinator:
D.J. Hall
Unit Production Manager:
Jenny Hinkey
VFX Artist:
Michael R. Currie
Video Assist Operator:
Mark C. McManus
Writer:
Kevin Smith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.