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Moonlight (2016) [R]

Release Date:
October 21, 2016

Original Title:
Moonlight

Alternate Titles:
Anh Trang
Ay Işığı
Holdfény
Kuuvalgus
Lumina lunii
Luz de Luna
Luz de luna
Menesiena
Mesečina
Σεληνόφως
Лунный свет
Мiсячне сяйво
Місячне світло
მთვარის შუქი
ムーンライト：2016
月亮喜欢蓝
문라이트

Genres:
Drama

Production Companies:
A24
PASTEL
Plan B Entertainment

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  AU: M  BE: 16  BR: 16  CA: 14A  CH: 12  DE: 12  DK: t.o.11  ES: 16  FI: K-12  FR: TP  GB: 15  HK: IIB  HU: 16  IE: 15A  IT: T  KR: 15  NL: 12  NO: 12  PT: M/16  RU: 16+  SE: 11  SK: 12  US: R 

Runtime: 111

This is the story of a lifetime

Overview from TheMovieDB

The tender, heartbreaking story of a young man’s struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love, while grappling with his own sexuality.

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Additional information:

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Performers

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Production

ADR Editor:
Ryan Briley

Art Direction:
Mabel Barba

Assistant Sound Editor:
Nate Grady-Reitan
James Parnell

Associate Producer:
John Montague

Boom Operator:
Julio Alvarez

Camera Operator:
Joseph B. Dare

Casting:
Yesi Ramirez

Co-Producer:
Veronica Nickel
Andrew Hevia

Costume Design:
Caroline Eselin Shaefer

Dialogue Editor:
Ryan Briley

Director:
Barry Jenkins

Director of Photography:
James Laxton

Editor:
Joi McMillon
Nat Sanders

Electrician:
Adam Roback

Executive Producer:
Brad Pitt
Sarah Esberg
Tarell Alvin McCraney

First Assistant Camera:
Stéphane Renard

First Assistant Director:
Stephen P. Del Prete

Foley Editor:
Benjamin Gieschen

Gaffer:
Kiva Knight

Grip:
Jean Daguillard
Daniel Williams
Giovanni Rodriguez
Fabricio Sacknies

Hair Department Head:
Gianna Sparacino

Key Grip:
David Lanes
Anthony Schrader

Leadman:
Jeremy Koenig
Robert Crowley
Ryan Crowley

Line Producer:
Veronica Nickel
Elayne Schneiderman Schmidt

Location Manager:
Faren Humes

Location Scout:
Keisha Rae Witherspoon
Rod Deal

Makeup Department Head:
Doniella Davy

Music Supervisor:
Maggie Phillips

Musician:
Tim Fain

Original Music Composer:
Nicholas Britell

Producer:
Adele Romanski
Jeremy Kleiner
Dede Gardner

Production Coordinator:
Pedro M. Guillen

Production Design:
Hannah Beachler

Property Master:
Becca Kenyon

Publicist:
Ruben Malaret

Scoring Mixer:
Thomas Vicari

Screenplay:
Barry Jenkins

Script Supervisor:
Melinda Taksen
Laura Pinto

Second Assistant Director:
Roger Mendoza

Set Decoration:
Regina McLarney

Sound Effects Editor:
Frederick Howard
Christopher Bonis

Sound Mixer:
Chris Giles

Sound Re-Recording Mixer:
Chris David
Mathew Waters
Onnalee Blank
Alessandro Checcacci

Steadicam Operator:
Libor Cevelik
Osvaldo Silvera Jr.

Steadycam:
James Baldanza

Story:
Tarell Alvin McCraney

Studio Teachers:
Deby Stewart

Stunt Coordinator:
Alex Edlin
Artie Malesci

Supervising Sound Editor:
Joshua Adeniji

Thanks:
Marco Antonio Martinez
Leslie Shatz
Jay Van Hoy
Carolyn Govers
Shane Carruth
Andres Des Rochers
Justin Simien
Anna Boden
Micah Green
Morgan Kellum
Graham Leggat
Ryan Coogler
Amy Seimetz

Title Designer:
Sebastian Pardo

Unit Production Manager:
Jennifer Radzikowski

VFX Artist:
Dirk Greene

Wardrobe Supervisor:
Fernando Rodriguez

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.